Consumers have come to expect a good measure of dishonesty in makeup marketing. But given the lack of strict regulations for cosmetics labeling in the U.S. ("clean" beauty, anyone?), companies have considerably more freedom to concoct some rather outlandish claims,... Read more →

CW/TW: racist imagery and slurs for Indigenous, Asian, Latinx, and Black populations as well as those of Middle Eastern descent. It's been nearly a decade since I discussed one of the many ugly parts of the beauty industry: cultural appropriation... Read more →

Today the Museum is featuring a flash-in-the-pan brand from the 1940s. Shem el Nessim was a very short-lived line, lasting only about 6 months during the second half of 1946. I couldn't find much info, but one thing I can... Read more →

On average, the Museum receives one inquiry a week. It doesn't seem like much, but if it's something that can't be identified easily or a broad question about historic trends, they can take up quite a bit of time. Here... Read more →

As in years prior, the Makeup Museum received some incredibly generous artifact donations in 2021. The Curator is so very grateful to everyone who believes the Museum is the right home for these objects. Most of these beauties were donated... Read more →

Color coordination is just one of many facets of the vast and complex makeup-fashion relationship. This post will attempt to outline the trajectory of this concept from the 1920s through the early 1960s and examine how it was being marketed,... Read more →

I really enjoyed the shorter bits of history that appeared between chapters in Lisa Eldridge's Face Paint. I liked the idea so much, in fact, that I decided to steal it and use it for my '90s makeup history book.... Read more →

I'm always so honored to hear from people wanting to know more about the (usually) vintage objects they come across. While the volume of inquiries can be a bit overwhelming sometimes, it's so interesting to see what's out there and... Read more →

This post has been in the making for literally years. I finally conceded that I couldn't find a complete history of either Benefit's Glamourette compact, released in 2002, or the vintage compact it was based on, House of Platé's Trio-ette... Read more →

From 1947-1949, the Dorothy Gray brand ran a series of ads featuring portraits of "fascinating women". I don't know why I'm covering them given that they're all white, upper-crust socialites who for the most part didn't do much besides existing... Read more →