Color Connection #45
Curator's Corner, September 2021

Blanche Hunter: an enigmatic pioneer

I was skimming through vintage copies of Ebony magazine at, hoping to find some interesting and not widely known-about Black beauty pioneers.  I struck paydirt with the February 1949 issue, which profiled a TV makeup artist named Blanche Hunter. 
Article on CBS makeup artist Blanche Hunter, Ebony magazine, February 1949
Article on CBS makeup artist Blanche Hunter, Ebony magazine, February 1949
Article on CBS makeup artist Blanche Hunter, Ebony magazine, February 1949
Hunter worked at a library in Harlem before starting her role at CBS as "wardrobe mistress" in 1943. After a year she became the head makeup artist. While the Ebony article and one in the Baltimore Sun from the same year detail Hunter's exceptional skills, there was almost no biographical information.  So off I went in search of her personal background and to hopefully find out what she did after her time at CBS. According to this book she worked there for 11 years, but her career after CBS is unclear.  I also wanted to know if she was the first Black head makeup artist at a national TV network. What follows now is a summary of the research by me and another lovely Museum volunteer, Professor Melissa! Melissa is a bona fide professor and reference librarian in New York, and she did much of the legwork contacting various archives.
The Baltimore Sun, December 4, 1949
Hunter was always referred to as "Miss" in the articles but in this image she appears to be wearing a band on her left ring finger, so Hunter may possibly be her married name. The round flat containers could be Max Factor. Given the packaging, the articles' mention of Hunter's fondness for pancake makeup, and the fact that she came from a theatrical background so would be quite familiar with Max Factor, it's as good a guess as any.

Blanche Hunter, November 1, 1948

It's impossible to tell how old she is in the Getty/CBS archive photos, but I'm guessing Hunter was born about 1905-1910. My assumption was that she was born and raised in New York City so looking at city-based databases and archives made the most sense. I started with the NY Genealogical Society. The research consultant there couldn't tell me much unless I could pay an unaffordable fee to an actual genealogist, but she did suggest some leads.
1.  The Schomburg Center at the NYPL; check out the city directories they have.
2. Check both the NY state and federal census from about 1905 through 1940. (I did see an entry for a Blanch May Hunter born in 1903 in one of those ancestry sites, but there was an E missing from her first name and again, it's not certain whether Hunter is her married name. I don't think any marriage records or obituaries showed up. I also found a mention and photo of a Blanche Hunter in the Baltimore Afro-American from February 1950 attending the funeral of her brother, but the picture is far too blurry to see if it's the same Blanche Hunter.)
3. CBS archives: I looked at their online archives and in addition to the photos there were 1 or 2 mentions of Hunter, but it just indicated the shows she worked on...not much info.
4. The last few places the consultant recommended: the NY state municipal archives, NY Times obituary project, and any New York land records.

Blanche Hunter, November 1, 1948(images from

I was completely overwhelmed, but fortunately Melissa enthusiastically stepped in to follow up on these suggestions. She reached out to no fewer than 6 archives and organizations. Here are the results.
1. Museum of the Moving Image - no mention of Blanche Hunter in the archives
2. NYPL Schomberg Center - had some CBS clips, including the Bob Howard Show, but there were too many clips and would require paying their research fee. While it would have been interesting to see the clips, they didn't primarily focus on Hunter; we were looking more for interviews with her rather than clips of the TV shows she worked on.
3. Library of Congress - recommended contacting the Paley Center
4. Paley Center - no information
5. NY Historical Society and WBSS Media - no response
The only other mentions we could find online were either irrelevant (such as a 1946 issue of Billboard magazine and the 1947 issue of a publication called the Decisions and Orders of the National Labor Relations Board), provided no additional or visible information, or were located in books that were impossible to get a copy of, such as this one - Melissa could only find a single copy, which currently has a price of $283 on Amazon. There may be some copies in university libraries near Museum headquarters, but without library privileges I can't get my hands on it. Another book, Radio Live! Television Live! contains a brief anecdote regarding Hunter's work on The Garry Moore Show. Prior to a special taping in Florida, Moore tried to ensure the two Black employees working on the show would be treated the same as the white ones. While Hunter and the other Black employee, production assistant Alfreda Diggs, were not harmed, they recalled being "fearful" of leaving the hotel they were staying at. It also seems like they were forced to eat separately from their white colleagues. (I think the author might be greatly underestimating the level of racism in 1957 New York. It may not have been as egregious as the South, but the statement that "color wasn't a problem" in NYC rings very false to me.)
Page 60 of Radio Live! Television Live!, 2003
Page 61 of Radio Live! Television Live!, 2003

Also, the date of this story conflicts with the earlier timeline of Hunter's tenure with CBS. If she had started in 1943 and stayed 11 years, it would mean that she stayed with the network until 1954. The above anecdote is allegedly from 1957, so how long was Hunter actually working for CBS? This is further confused by a mention in this book published in 1957 which states that Hunter had been with CBS for 13 years.

Blanche Hunter on p. 178 of America's 10th Man

My only parting thought on Blanche Hunter is that she was amazingly talented. A Black woman working as the head makeup artist on a national TV network and garnering press in the late 1940s must have been highly unusual. As we know, Black women have to work twice as hard to get half as much, so for Hunter to succeed at such a high level during that era demonstrates truly outstanding ability. Unfortunately, like so many other Black luminaries, her story is not complete.

I'd like to give a big HUGE thanks to Professor Melissa for her excellent work on this. Given her research prowess, I'd be shocked if anyone else is able to obtain additional information for Ms. Hunter, but if you do, please send it my way!

Update, February 2023: Lo and behold, a smidge more information! I'm so grateful to game show historian Matt Ottinger, whose eagle eyes spotted Blanche during the 4th anniversary episode of I've Got A Secret, which aired on June 13, 1956. You can also see her waving goodbye at the end of the clip. The sign around her neck says Wardrobe, which sort of makes sense given that her official title during most of her time at CBS was wardrobe mistress, but I am curious to know who the mystery makeup man is. He sits down next to Blanche around the 2:57 mark.

There's a very good chance it's Bob Jiras1, who is credited for establishing the first formal makeup department at CBS and was appointed its director shortly after his arrival. A profile of Jiras from April 19502 discusses one of his first tasks for CBS, which was the tricky makeup for Dr. Jekyll and Mr. Hyde on the show Suspense. That particular episode aired in September 1949, so we can assume Jiras arrived at CBS well after Hunter. If that's true, it seems racism and sexism were at play: it's certainly possible CBS offered the job of makeup department head to Blanche which she turned down for whatever reason, but given the era, most likely it was the case that a major TV network would not allow a Black woman to be the head of makeup, even though she had been there some 6 years longer than a white man and had the exact same skill set and experience (if not greater). Granted, Jiras was a seasoned pro, having come from Hollywood and working with Dick Smith so he was especially good with special effects, but there doesn't seem to be any discernible reason Hunter couldn't have been in charge. Especially since, by all accounts, she was CBS's resident makeup expert at the time.

Anyway, Matt kindly scanned and sent me the pages from Ladies and Gentlemen, The Garry Moore Show: Behind the Scenes When TV Was New, the original source for the previously mentioned anecdotes about the trip to Florida and confirmed it did indeed take place in 1957.

Excerpt from Ladies and Gentlemen, The Garry Moore Show: Behind the Scenes When TV Was New by Herb Sanford, 1976.

He also pointed out that the book did not in fact make the claim that New York wasn't racist at the time but instead indicates that Florida was far more overt in terms of segregation. So between the I've Got A Secret episode and confirmation from the book, now we know Blanche was with the network at least until 1957. Thank you for these new findings, Matt! By the way, his current project is a very deep dive into the history of I've Got A Secret, which grew out of his incredibly extensive archive on Bill Cullen. It's all super fascinating, so go check it out!

1It's impossible to tell for sure from old newspaper photos, but there is a strong resemblance between images of Jiras in various newspaper articles and the footage from this episode - it could very well be the same man.

2 John Crosby, "Makeup for Video Actors Big Problem," The Oakland Tribune, April 21, 1950, 36.  The article was re-printed with different headlines in several papers throughout the U.S.

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