Couture/Fashion

Ms. Min for MAC

Before I delve into the summer collections, I thought I'd look at one last release from the spring.  MAC teamed up with Chinese fashion designer Min Liu (a.k.a. Ms. Min) for a small collection featuring Min's signature modern twist on traditional Chinese style.  I picked up the standout from the collection, a blush/highlighter palette embossed with a truly gorgeous wave pattern.

Min Liu for MAC palette

Min Liu for MAC palette

I didn't have to search very hard to find the inspiration behind the colors Min chose, along with the wave design.  In an interview with online magazine Buro 24/7, she explains, "There are actually four main colors in this collection which are China red, lush peony pink, shimmering platinum, and bold ink black. Each colour is rich in meaning and contains a distinct energy in traditional colour theory. Red promises loyalty and bravery. Pink is a metaphor of beauty. Silver introduces the gods and spirits. Black brings honesty and integrity...The philosophy behind my collaboration with MAC is that everything is about how energy flows, casting a distinct aura, vitalising all forms of life — humans, water, mountains, earth, oceans, clouds. That no matter how it shifts and changes over time, the world maintains an eternal rhythm. It's also inspired by the ancient masterpiece Shang Hai Jing (The Guideways through Mountains and Seas), which is about Chinese mythology culture, spirituality, and folklore...[It's] an allegory for the energy that flows between mountains and oceans and across vast landscapes, spanning time and space. To open this compact is like feeling the universe in your hand. Somehow it reminds me that there is a universe out there." 

Min Liu for MAC palette

Min Liu for MAC palette

I personally think the design resembles the waves from this 1597 illustration of the Guideways Through Mountains and Seas.  (It also reminds me of Hokusai's The Great Wave, but that's a completely different cultural reference.)

Classic of Mountains and Seas illustration, 1597(image from commons.wikimedia.org)

So it's pretty, but what does the makeup have to do with Min's fashion?  Well, the designer created a beautiful capsule collection to coordinate with the makeup, which was unveiled at Shanghai's fashion week in a rather dramatic runway show.  (There's probably a lot more information in this WWD article, but of course it's behind a paywall and my library doesn't have the April issue available yet.  Sigh.) 

MAC Min Liu display

Mac-min-liu-show-dance

The clothing was simply stunning and the makeup was spot-on.  I can't imagine a more harmonious collection.  I can also definitely see the traditional-meets-contemporary vibe of the clothing, which is better described by Min:  "The style of Ms MIN has always been inspired a lot by tradition, culture and spirituality. There's been this conversation between modernity and tradition, Yin and Yang, contrary and balance and ultimately, discovering the harmony of all elements together. Anything relative to beauty reminds us and inspires us: beauty of life, beauty of energy, beauty of this world, and beauty inside of ourselves."  And as for her general perspective on makeup, Min emphasizes owning your look. "I'm wearing the makeup, the makeup is not wearing me," she says.  It's a good reminder not to wear anything that makes you uncomfortable; otherwise it will indeed look like the makeup is wearing you and not the other way around.

MAC Min Liu show

MAC Min Liu fashion collection
(images from mt.sohu.com)

Obviously the clothing was also used in the MAC campaign ads - here's a slightly better glimpse of it. 

MAC Min Liu ad

Overall, I can't say I'd wear any of Min's clothing, but I appreciate her aesthetic.  And I think the MAC palette totally captures it by updating a motif inspired by an ancient Chinese text, along with the color scheme - the shades chosen have certain traditional meanings in Chinese culture, but combining them into one palette, along with how they were used on the runway and campaign, gives them a modern feel. 

What do you think?


Armani's runway palettes: high-end makeup blind boxes?

Thank goodness for Instagram, because without it I might never have known Armani was doing another runway palette this spring!  As with the previous runway palettes it features a fabric print taken directly from the latest ready-to-wear collection packaged in a lovely tulle pouch.  While last spring's didn't really catch my fancy, I deemed this season's palette (along with fall 2016's) Museum-worthy. 

Armani spring 2017 palette

Armani spring 2017 palette

Armani spring 2017 palette

I feel this palette was better equipped than previous ones to help you recreate the runway makeup look, which was simply gorgeous - a pop of bright blue messily smudged along the top lashline paired with peachy-beige cheeks and glossy peach lips.  It sounds like it's been done before, but this look was a new iteration of the sexy disheveled eye in that it used bold color rather than the usual black, and there didn't seem to be any eyeshadow at all.  While I can't use this palette since it's a collectible, I bet I could swap Pat McGrath's magnificent Ultraviolet Dark Star kit.

Armani spring 2017 palette

Armani spring 2017 makeup

Armani spring 2017

Armani spring 2017 makeup

I also think the makeup paired really well with the clothes.

Armani spring 2017 ready to wear

As with the previous runway palettes, my hunch is that there are a handful of different fabric swatches that appear on the palettes.  The one in the stock photo, for example, shows a slightly different section of the pattern than the one I have.

Armani spring 2017 palette

Now let's play the matching game.  I found the exact portion of the fabric in this look.

Armani spring 2017 ready to wear
(images from vogue.com and giorgioarmanibeauty-usa.com)

However, I had to flip it both vertically and horizontally to get it to match the one on the palette case.

Armani pattern spring 2017

I'm enjoying these runway-inspired pieces from Armani.  Arguably they're not earth-shattering from a design standpoint in that they're literal reproductions of the patterns on the clothing, and sometimes I wish Armani would return to bedazzled and/or embossed powders for their seasonal releases, but the joy in these lies in the fact that you never know what you're going to get in terms of the exact part of the pattern that appears on the palette.  It's like a blind box toy of sorts (I'd dearly love to have blind box makeup!) and it's also a fun little game to go through the runway photos and find the particular fabric swatch you have.  Or at least it is to me since I'm a dork that way.  :D

What do you think?

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Spring 2017 sneak peek: Burberry Silk and Bloom palette

Burberry Silk and Bloom blush palette

I hope Burberry doesn't stop releasing their runway-inspired palettes, as I've become quite fond of them. While their most recent offering isn't my favorite, I will certainly take it over nothing.  For their spring 2017 blush palette, Burberry chose a hexagonal floral pattern that appeared on several items in the fashion collection (and, interestingly, on the runway floor).

Burberry spring 2017
(images from us.burberry.com and vogue.com)

Burberry Silk and Bloom blush palette

One significant item of note that I somehow missed when discussing the fall palette was that the wallpapers Burberry borrowed for patterns to use in their spring 2017 collections are housed in the Victoria and Albert Museum, so off I went to see if I could find the originals.  To my astonishment and great delight they were available to view online!  Here's the one that inspired the spring 2017 pattern.

Wallpaper, ca. 1830
(image from collections.vam.ac.uk)

According to the V & A, this was made around 1830:  "This wallpaper was designed to imitate moulded plasterwork.  Moulded plaster was a fashionable method of wall and ceiling decoration in the 17th and 18th centuries, but it was expensive.  Wallpaper printed in shades of grey and buff was a cheaper way of achieving a similar decorative effect."

Just for my own gratification here are some of the other items that I mentioned in my previous post and the nail polish set, along with the original wallpaper.  These were available for purchase back in the fall, but considered part of spring 2017...sort of.   It's all very confusing to me, but Burberry was testing out the see-now, buy-now approach back in September 2016, hence why I thought the wallpaper-based items at the website were part of the fall 2016 collection.  Apparently Burberry CEO Christopher Bailey is doing away with formal spring/fall collections (in name, anyway) and showing one collection in September and February, with styles that are meant to be "seasonless".  I don't know about that so I'm continuing to refer to the Silk and Bloom palette, as well as the other wallpaper pieces, as part of spring 2017.

Burberry wallpaper-inspired jacket

Burberry wallpaper print tee

Burberry nail polish set
(images from us.burberry.com)

This paper is from the mid-18th century and used to imitate "print rooms".  "This was a room decorated with prints that had been pasted on to the walls, with the addition of printed paper frames and borders. It was intended to give the impression of a room hung with framed pictures. Designing and installing a print room was a fashionable hobby for the wealthy in the 1760s and 1770s. Using a wallpaper with a 'print room' design was a cheaper way of achieving the same effect. This is one of several print room papers from Doddington Hall, Lincolnshire; it was hung as part of the major redecoration of the house undertaken by Sir John Hussey Delaval around 1760."

Wallpaper, ca. 1760
(image from collections.vam.ac.uk)

Anyway, back to the Silk and Bloom palette.  Overall it's pretty and the vibrant rose color is to die for, but there are a couple details I'm not loving.  First, there's this odd rough texture surrounding the flowers.  I'm guessing it was a deliberate attempt to replicate the textural variations of silk fabric, which would make sense given that the pattern comes from silk garments, but I feel like it should be smooth - it almost looks like the palette is defective.  On silk clothing obviously this texture is to be expected, but I don't think it works on a powder surface.

Burberry Silk and Bloom blush palette

The second detail I'm not crazy about is the closeup view of the pattern.  While in other palettes I adore the zoomed-in effect - it allows you to see more detail - in this case the closeup of the flower cluster sort of reminds me of cells under a microscope (in this case, algae cells).

Burberry Silk and Bloom palette

I think the pattern works well on the clothing (and on wallpaper, for that matter), but this is one of the few that, in my humble opinion, did not translate well to makeup form.  (Or maybe I'm still cranky over not being able to snag the adorable heart-adorned First Love palette, grrr.)  Whatever it is, I vastly prefer the spring and fall 2016 palette designs over this one.  It's especially disappointing given that they could have modified the pattern to make it work for makeup - I would have gladly sacrificed a closeup view to have more of the whole pattern, since maybe then it wouldn't remind me of a biology class.  :P  Or Burberry could have chosen a different pattern entirely, like this one.

Burberry spring 2017

This single flower would be gorgeous - with a design like that, I'm envisioning the level of intricacy and color variety on par with Chantecaille's Butterfly eye shadows, and it could have with lots of shimmer on the petals like Sisley's Orchidée palette.

Burberry spring 2017

Or maybe eschew flowers entirely and do something totally unexpected, like the graphic pattern on this bodycon dress?  I bet it would make a great bronzer.

Burberry spring 2017
(images from us.burberry.com)

What do you think?  Check out the Museum's Burberry category for glimpses of previous runway palettes and let me know how the spring 2017 one stacks up in your opinion.  :)

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Ghosts of Christmas makeup past: Armani Black Gem palette

Happy December!  It's that time of year where not only do I share current holiday goodies but also highlight some that came before.  I was digging through the Museum's archives and couldn't believe I hadn't posted about this beautiful palette Armani released for their 2007 holiday collection.

Armani Black Gem palette

A smooth, sleek black case is adorned with a delicate flower pattern offset by black crystals.  I found the design to be rather elegant and understated, similar to the lovely 2008 crystal palette.  (Why they went the the more blingy, "look at me" route in 2009 I'll never know, but I still think that collection's gorgeous too because, well, I love sparkly anything for the holidays.)

Armani Black Gem palette

The first tier contains 4 shadows for building a smoky eye.

Armani Black Gem palette

The second tier consists of face powder imprinted with the same floral pattern as the case.  *swoon*

Armani Black Gem palette

Armani Black Gem palette

Armani Black Gem palette

I touched briefly on the fall 2007 couture collection in my coverage of Armani's fall 2007 palette, but I wanted to expand on it here since I suspect the Black Gem palette was based on the fall 2007 couture collection.  Black crystals showed up everywhere.

Armani couture fall 2007

Armani couture fall 2007

Armani fall 2007 couture

The models were covered literally from head...

Armani fall 2007 couture

...to toe.

Armani couture fall 2007(images from vogue.com)

However, I must include this photo from the fall 2007 ready-to-wear collection.  I wasn't able to zoom in, but I swear the floral pattern is the same as the one on the Black Gem palette, and it looks especially similar because of the black-on-black detailing.  So maybe they combined elements from the ready-to-wear and couture collections in one palette?  I don't know.

Armani fall 2007 ready-to-wear
(image from vogue.com)

I do know that the Black Gem palette is gorgeous and I wish Armani would return to these sorts of designs.  Don't get me wrong, I appreciate the fact that the more recent runway palettes are literal representations of the pieces from the fashion shows, but I appreciate crystals and embossed powders even more.  ;)  I mean, when I compare, say, the fall 2016 palette to Black Gem, both are Museum-worthy but the latter definitely has a more eye-catching design.

What do you think?  And do you remember the Black Gem palette at all?

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The gold standard: Chanel Ombres Lamées

Initially I was pretty unimpressed with Chanel's holiday 2016 lineup, as early reports indicated that there wouldn't be any sort of show-stopping palette for the season.  But I should have known Chanel had a very beautiful surprise up their sleeve!  Behold, the exquisite Ombres Lamées palette. 

Unlike some of their previous palettes, this one comes in a luxurious pebble-textured box with two separate brushes.

Chanel Ombres Lamées box

Chanel Ombres Lamées

The design is inspired by the fall 2016 runway collection.  We'll look at that in a second, but in the meantime, you must appreciate the palette in all its intricate golden glory.

Chanel Ombres Lamées

Chanel Ombres Lamées

Chanel Ombres Lamées

Chanel Ombres Lamées

Chanel Ombres Lamées closeup

I did my usual "let's find the pattern match from the fashion" but I discovered that the palette was indeed only "inspired" by the fall 2016 collection rather than being a literal recreation of some of the patterns.  Still, the designs on the palette are faithful to the runway pieces in that they represent the gold thread woven into the clothing in a variety of ways, from the traditional Chanel tweeds to chunky knit sweaters and lamé skirts.  There was even a bag in the shape of a spool loaded with gold strands to further emphasize the craftsmanship behind these pieces, which, when combined with the pared-down runway atmosphere, seem more couture than ready-to-wear.

Chanel fall 2016 ready-to-wear

Chanel fall 2016 ready-to-wear

Of course, this isn't the first time Chanel highlighted gold in a collection (see the pre-fall 2012 collection as well as the fall 2014 and spring 2016 couture collections, just to name a few examples), but once again Lagerfeld has given new life to this shiny staple.  It's a bit more subtle than in seasons past, even though it made its way onto nearly every item.  With the exception of a couple dresses, bags and boots, I felt like I had to look closely to see the glints of gold peeking out along hems, buried in a pair of gloves or crinkled in a skirt.  Gold was a detail and yet it wasn't; it was incorporated into almost every piece but in a whisper more than a shout.  I also think the fact that the gold weave was interspersed within a relatively neutral color palette of ivory, white, beige and black also makes it seem more understated.

Chanel fall 2016 ready-to-wear

Chanel fall 2016 ready-to-wear

Chanel fall 2016 ready-to-wear

My favorite piece from the runway, and I think the one that most resembles the palette, is this beautiful column dress.

Chanel fall 2016 ready-to-wear

Chanel fall 2016 ready-to-wear
(images from vogue.com)

As you can see, it's not an exact replica of the patterns, but the various colors and textures neatly stacked on top of each other is similar to the palette's design. 

Overall, as you might have guessed, I'm pretty in love with this palette.  It's easily the best one Chanel has come out with in about 2 years (this is the last one I was truly wowed by), and it was well-timed - who doesn't want some bling for the holidays?  As for fabric-esque makeup, I don't think anyone does it better than Chanel.  Dior, YSL, Armani, Burberry, et. al. have all come up with some wonderful runway-inspired palettes, but in terms of ones that actually look like fabric, Chanel has the market cornered.  (See the Museum's Woven exhibition for more fabric-themed items - I'd love to re-do it and include Ombres Lamées!)  Oh, and a word about purchasing this beauty: I was told by Chanel.com that the palette wouldn't be released in the U.S. so in my panicked state I ordered from Bonbon Cosmetics, but as usual Chanel's customer service was wrong - the palette will be available on the Chanel website starting November 28.  I saw a notice at Refinery29 yesterday and received an email directly from Chanel this morning notifying me that it's coming, so we have confirmation it will be stateside shortly.  The email also said, however, that it will be available in "limited quantities" so if you want it don't wait!

Do you plan on picking it up?  Any other thoughts?

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The owls are not what they seem: Laneige x Lucky Chouette

As soon as I laid eyes on this collection a while back I knew I had to procure it for the Museum.  For the 3rd iteration of their Laneige Meets Fashion project, this fall Laneige teamed up with fellow Korean brand Lucky Chouette (chouette = owl in French.)  Lucky Chouette is actually a sister line to Jardin de Chouette, a higher-end line founded in 2005 by Jae-Hyun Kim.  Since I'm feeling too lazy to describe the aesthetics of each, I'll direct you to this great profile of both over at Style Bubble.

And now for the makeup!  How freakin' cute are these owls?!

Laneige x Lucky Chouette

I learned that they have names and personalities.  Bella is the pink owl and Vely is the blue one.  Laneige describes them thusly:  "Chouette, which means 'owl' in French, is a symbol of good fortune. An encounter between Laneige and Lucky Chouette gave birth to a lovely pair of owls that promise to bring good luck to all.  We have two muses: Confident, outgoing, and outspoken, Bella Chouette is especially charming with her full lips. Shy Vely Chouette is prudish and prone to blush."

Laneige x Lucky Chouette

Laneige x Lucky Chouette

Laneige x Lucky Chouette

Laneige x Lucky Chouette

Bella's eyes are actually part of a plastic overlay on top of the blush, but she's still pretty adorable without it.

Laneige x Lucky Chouette

Laneige x Lucky Chouette

I figured that obviously Lucky Chouette clothing would be chock full of owls, and my hunch was correct.  While there are plenty of pieces without the owl motif, the bird does figure prominently and comes in a variety of colors, shapes and sizes.

Lucky Chouette

Lucky Chouette

Lucky Chouette
(images from luckychouette.com)

In poking around the Lucky Chouette site, I learned that besides Bella and Vely, the owls from past seasons also have their own names and personalities.  Too bad I don't know Korean, because I'd love to understand the creation story.

I would also be able to read about each owl's style and character traits based on these little bios that pop up when you click on one of the owls.  I always like to see a designer that really thinks about their work.  In the case of Jae-Hyun Kim, these profiles show that she genuinely thought about each creation and their style inspiration - it's not simply "I think owls are cool so I'll just slap a bunch on my clothes", there's actually a story behind each one. 

Marine Bebe Chouette - Lucky Chouette

Icy Chouette - Lucky Chouette

My favorite, obviously, was the punk-inspired Rebel Chouette...at least, her spiky crown looks to be pretty punk.  She's particularly lucky too!

Rebel Chouette - Lucky Chouette(images from luckychouette.com)

Now let's take a quick peek at the original Jardin de Chouette line, which, you guessed it, also works in several owl designs each season.  The photos below are from shows spanning 2006 through 2014.

Jardin de Chouette

Jardin de Chouette

Jardin de Chouette(images from jdchouette.com)

Overall, I enjoy the styles of both Jardin de Chouette and Lucky Chouette - I'd wear one of those owl sweaters from the latter in a heartbeat.  Perhaps it's the extensive use of a beloved critter, or the fact that there's a higher-end line and a diffusion line, but this is reminding me quite a bit of Paul & Joe and Paul & Joe Sister.  Of course, the silhouettes and general aesthetic/feel are different, but both Jae-Hyun Kim and Sophie Mechaly express their allegiance to their favorite animals by working them into their collections in new and exciting ways each season.  I also think Lucky Chouette was a great choice for a collaboration with a makeup line.

What do you think?  And are you more of a Bella or Vely?  I'm more of the shy Vely type, although I like to think I have Bella's lashes.  :)

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One of a kind? Armani fall 2016 runway palette

The past two runway-based palettes from Armani did nothing for me, but their fall 2016 one called my name.  It's especially odd given that I'm generally not a fan of floral prints, and I'd never wear any of what came down the Armani runway this season.  I also think the print itself reads very spring rather than fall, given the delicate, watercolor-esque pastel hues.  However, this palette seemed to be a little more tied into the clothing than in the past 2 seasons.  The other unusual aspect is that the pattern seems to differ on each palette.  Let's take a closer look.

As with previous runway palettes, it comes with a luxurious tulle pouch, and the outer case is decked out in fabric too.  While gorgeous, I don't think it would hold up well in one's makeup bag.

Armani fall 2016 runway palette

Armani fall 2016 runway palette

Armani fall 2016 runway palette

Armani fall 2016 runway palette

The top tier is a highlighting powder.

Armani fall 2016 runway palette

Underneath are the eye shadows.

Armani fall 2016 runway palette

The pattern came straight from the floral print on the runway pieces. 

Armani fall 2016

Armani fall 2016 bags

Armani fall 2016 bags

The pattern on my palette can be seen on the left lapel and right sleeve of this jacket.

Armani fall 2016 jacket(images from vogue.com)

And because I'm obsessed with finding the exact pattern, I cropped and rotated the lapel so you can see precisely where it is.

Armani fall 2016 palette and pattern

As you can see from the stock photo below, the pattern on the palette I received is markedly different.

Armani fall 2016 runway palette(image from giorgioarmanibeauty-usa.com)

And I noticed the palette that Karen at Makeup and Beauty Blog reviewed also has a different pattern.  I wonder if there are just 3 versions or if every single one has a unique swath of fabric.  In any case, these variations are what compelled me to buy it.  Not only was the print the same on each palette from the last two seasons, I couldn't really even match it exactly to the prints from the runway.  They looked like watered down interpretations of the designs, not actual reproductions.  Fortunately (and unfortunately for my wallet, as this was a pricey one) Armani's fall 2016 offering was way more interesting from a collectible standpoint.  :)

What do you think?  Have you seen these palettes in person or do you plan on purchasing?  I'm so curious to know if they're all different!

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Quick post: Paul & Joe fall collection, part 2

We're having more fashion fun today!  In addition to the Looney Tunes lineup, Paul & Joe released a regular fall collection.  This year's theme was "a stroll in the park".  Can't say I really see it but the collection does offer a nice array of the usual pretty patterns.

Paul & Joe fall 2016 makeup

Paul & Joe fall 2016 makeup

Paul & Joe fall 2016 makeup

Paul & Joe fall 2016 lipstick cases

Once I saw the bird on the tube of the lipstick refills I had to get a couple, which I normally don't do!

Paul & Joe fall 2016 lipsticks

Just when you thought Paul & Joe couldn't possibly put cats into any other form of makeup, they surprised us with these precious cat-shaped highlighter pieces. 

Paul & Joe fall 2016 highlighters

Beautyhabit.com gave me the usual complimentary bag.  At this rate I could probably do an entire exhibition just of Paul & Joe bags...not that I'm complaining, of course - I love collectible GWPs.

Paul & Joe fall 2016 makeup bag

As with previous offerings, some of the prints appear to be newly designed just for the makeup, and some were borrowed from the latest season's fashion collection. 

Paul & Joe fall 2016

Paul & Joe fall 2016(images from paulandjoe.com)

Oddly enough, the bird print was borrowed from the spring 2015 collection.  Paul & Joe has done this before, however.

Paul & Joe spring 2015(images from vogue.com)

I don't have anything else to add except that Paul & Joe did another nice job with this collection.  The holiday 2016 collection looks equally fun.  :)

What do you think?


Burberry fall 2016 runway palette

Burberry fall 2016 runway palette

Burberry has been on quite a rapidly upward trajectory in terms of their runway palettes - each one seems to be more eye-catching than the last.  So as soon as I got wind of their fall 2016 palette I knew I had to have it as I think it's the prettiest one they've done so far.  Sadly, there doesn't seem to be an additional red and black palette, which many makeup junkies thought there would be based on this photo.  I did a live chat with Burberry and called a store in Soho, and nobody I spoke with had any idea what I was talking about.  Now that the collection has been out for a while, I'm guessing the red and black was just a weird overlay someone decided to stick on there.  Why someone would put a different colored overlay onto such a lovely highlighter is beyond me (and somewhat cruel, leading us beauty addicts to think there would be another palette in different colors) but in any case, the gold is enough by itself.

Burberry fall 2016 runway palette

Burberry fall 2016 runway palette

Burberry fall 2016 runway palette

Burberry fall 2016 runway palette

Once again, the print was borrowed from their most recent collection.  And once again, I was sent on a wild goose chase trying to figure out exactly which print it was.  There were many floral patterns in Burberry's fall collection, but none seemed to be the exact one on the palette.

It wasn't from these...

Burberry fall 2016 dresses

Or these...

Burberry fall 2016 dresses

They were very close but not 100% identical.  Then I found this trench coat and these 2 dresses. 

Burberry fall 2016

So that's where you were hiding!  Here's a detail to you can see it a little better.

Burberry fall 2016 dress detail

In poking around the Burberry site I also found this nail set, which borrows a vintage wallpaper-inspired pattern.

Burberry fall 2016 nail set

And just for funsies, off I went to locate the print within the clothing.  Some of the women's pieces had a wallpaper print but it wasn't the same.

Burberry fall 2016 wallpaper print

Burberry fall 2016 wallpaper print

As with the spring 2016 runway palette, the exact design on the nail set was taken from some of the men's items.  I find it a little odd that there seemed to be different wallpaper prints for the men's and women's lines.

Burberry fall 2016 wallpaper print

Burberry fall 2016 wallpaper print

Burberry fall 2016 wallpaperprint detail

Burberry fall 2016 wallpaper print t-shirt(images from us.burberry.com)

Again, I'm not sure why Burberry utilized a print that appeared only on the men's side for a nail polish set that's ostensibly being marketed to women, but I must say I enjoyed the hunt!  I'm still debating whether to pick up the set for the Museum, since the pattern is pretty and works well as an outer case.  As for the palette, well, it's easily my favorite of the runway palettes Burberry has released thus far.  I really liked the spring 2016 lace edition, but I think this one is a tad more intricate, not to mention shinier - I love the foil-like gleam of the flowers.

What do you think?  Do you plan on picking this one up?

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Kye for Shu Uemura

I have to admit that the packaging for this collection didn't immediately set off my curadar (curating radar), but given the frenzy over K-beauty over the past 2 or so years, coupled with the fact that Kye is an important up-and-coming fashion designer, I figured it would be a worthy addition to the Museum.  And you know I can't resist Shu's limited-edition cleansing oils. ;)

Kathleen Kye was born in the U.S., raised in Seoul and attended London's Central Saint Martins.  Her clothing line, which was launched in 2011, is notable not just for its edgy, high-fashion streetwear aesthetic, but also for its focus on unisex design.

Kye for Shu Uemura

The pattern on the Shu collection incorporates a seemingly random group of motifs along with Kye's signature.  Uh-oh, I thought - is this just a bunch of stuff Kye slapped on there without any thought?

Kye for Shu Uemura

Kye for Shu Uemura cleansing oil

Kye for Shu Uemura cleansing oil

Nope! I was thrilled to see that the pattern wasn't just an arbitrary scattering of icons that the designer happened to throw on there.  Shu featured this handy dandy little chart explaining the meaning behind most of them. 

"I try to take some serious themes and issues to something light and beautiful." - See more at: http://www.vogue.it/en/talents/new-talents/2013/01/kathleen-kye#sthash.NOgX9LCN.dpuf

Kye-shu-uemura-icons(image from shuuemura-usa.com)

Some of the symbols were also borrowed from previous fashion collections, such as the band-aid (from spring 2014):

Kye spring 2014

And the tattoo-inspired (to my eye anyway), spring 2013 print, where I'm assuming the bird, skulls and roses came from.

Kye spring 2013(images from kyefashion.com)

Kye tells Vogue, "I try to take some serious themes and issues to something light and beautiful."  I'd also add fun and modern to that description.  The symbols pay homage to Korea's history but also demonstrate a playful twist.  I particularly love the representation of the country's national animal in gummy form.  Kye also shows her understanding not just of Korea's heritage but also the present cultural climate for the country's bustling youth through the "24" and the alarm clock symbols.

Overall, while this isn't my favorite Shu collab, I think Kye is the perfect designer to team up with to celebrate Korea's youth culture and the influence it's having on the rest of the world.  And I always appreciate when the artist puts some actual thought into what they're making for the cosmetic brand they're collaborating with rather than either blindly copying old designs or slapping on whatever is appealing to them at the moment.

What do you think?

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