Retro/Vintage

MM Mailbag: fab four

For the majority of inquiries I receive -  say, around 75% - I'm ashamed to admit that I can't provide any information.  I do enjoy researching them but I loathe not being able to give a definitive answer on the item or brand people are asking about.  Recently I receive an inquiry from a woman who was, sadly, going through her deceased mother's belongings and came across 4 gorgeous compacts that she wanted to know a little more about.  While I was still not able to provide solid information for a couple of them, I was able to delve a bit more deeply into 2 of them.  I guess 50% is better than my usual rate for inquiries!

First up is this lovely gold-tone number with a sunburst pattern on the front and a basket weave pattern on the back. 

Vintage Melissa compact

Fortunately the puff was still in there so I could see the brand.  The Melissa company, according to the British Compact Collectors' Society, dates from around the 1950s-70s.  Says one researcher: "Melissa is thought to have been based in Acton, London W3 from the early 1950s, but I found that by 1962 the company had premises in Arundel Road, Uxbridge, Middlesex.  In 1970, the company was still listed at this address in a telephone directory, but by 1972 another company occupied the site.  A local trade directory of 1976 listed Searchlight Products, so possibly the firm was still trading at this later date, but I have been unable to find out at what date it ceased manufacturing compacts." 

Vintage Melissa compact

Next up is a "sweetheart" black enamel compact, so named for their popularity among WWII soldiers who gave them as gifts to their loved ones during wartime.  Without a maker's mark I couldn't identify the brand, but from what I could make out the insignia in the heart looks a bit like the "prop and wings" motif from the U.S. Air Corps.  I asked the submitter if anyone in her family was in the military and she confirmed that her father was in the Army Air Force during WWII.  What a sweet gift for her mom. 

I'd love to write a comprehensive history of sweetheart compacts, but it's such a huge project that it will have to wait for when I have time...like, maybe when I'm retired.  :(

Vintage sweetheart compact

Vintage sweetheart compact

For these last two a little more information was available.  Zell was a leading compact company from the '30s-'60s and was  one of the "5th Avenue" lines, along with Rex, Dorset, Columbia and Dale.  Zell had some quite novel compact designs early on, including the "First Nighter" - a compact with a flashlight that was released in the '30s (can you believe that?!)  But Zell was primarily known as a solid brand that offered understated, stylish designs as well.  The compact in question is an elegantly striped square piece with rounded edges.

Vintage Zell compact

Vintage Zell compact

I tried to find a little more information from my local library about the company, but came up mostly empty-handed.  I learned through a few meager news clippings that the company was founded by David H. Zell, who passed away in 1944.  While his widow Sophie was technically President, it was the Vice President, one of their sons Daniel D. Zell, who was really running the show, given this clipping (not to mention numerous patents in his name.)

1951 clip

After I scoured the historical newspapers, I decided to try old-fashioned googling to at least try to find when the Zell company was founded and when it went out of business.  I didn't find those dates, but I did unearth something quite interesting and bought it immediately.

Zell compact ad 1946

Well, look what I spy!  It's the very same compact!  The ad indicates that this particular style actually had a name:  it was called the "Countess".  Here it is up close in case you couldn't make it out.  (The one above is the "Aristocrat" and the one below is the "Princess".  Ooh la la.)

Zell ad close up

When I originally researched this inquiry I guessed that the compact in question was from the '50s, as that was the height of Zell's popularity and, in my opinion, gold-tone compacts.  But I was wrong.  The promotional ad is from 1946, so it must have been released if not that year then around then. While I'm still a little miffed at not being able to put together a full history of Zell, I'm glad I could at least identify this particular compact.  It was complete luck but I'll take it.  :)

I saved the most interesting one for last.  I couldn't for the life of me recognize the brand, as the photo of the mark on the back was too dark and small.

Lucien Lelong tambourine compact

Thankfully the submitter included a picture of the puff.  I recognized the concentric L-shapes as the logo belonging to Lucien Lelong, a famed French couturier turned perfumer and cosmetics manufacturer.

Lucien Lelong tambourine compact

The design of the compact is truly fascinating.  The intricate, regal birds are reminiscent of motifs found on royal crests, and I can't say I've ever seen a compact with little rings attached to it.  Off I went to find more information and found a few ads so I could give a date of when this compact was released.  Known as the "tambourine" compact, it looks like it first appeared in September 1948. The rings could be simply decorative and just there to be "pleasant sounding", or perhaps Mom could attach some charms to them - seems they were really pushing this as either a Valentine's Day or Mother's Day gift.  It may also have waned in popularity by 1950, given the price drop from the original $5 to $0.99.  As a side note, my mind is always blown by the retail prices of vintage pieces!  They seem so inexpensive, but according to this online calculator a $5 compact would cost approximately $52 nowadays.  Still, that's a reasonable price for a nice compact...and it would be only $10.13 on sale.  :)

Lucien Lelong Tambourine compact ad, September 1948

LOL at "gifty!"  These old ads crack me up sometimes.

Lucien Lelong Tambourine compact ad, February 1949

Lucien Lelong Tambourine compact ad, May 1950

I was really curious to know why Lelong decided to introduce this compact, as it didn't seem to have a connection to any of the company's fragrances or couture.  I did come across this "Ting a Ling" perfume bottle which also had rings attached and was released around the same time as the compact. 

Lucien Lelong Ting a Ling perfume
(image from collection.cooperhewitt.org)

But as you can see, it has bells, whereas I didn't see any Tambourine compacts with bells.  According to the New York Times ad above, the compact was a replica of a vintage French tambourine, which, when I first laid eyes on that description, sounded like utter marketing garbage.  However, thanks to extensive information provided on Lelong by the Fashion Institute of Design and Merchandising, it's entirely possible that the design was indeed inspired by a vintage tambourine.  Lelong employed the services of noted artist Peter Fink to create novel, unique packaging for his perfumes and lipsticks, such as the Ting a Ling bottle and Full Dress lipstick mentioned in the ad above, so it's probable that Fink came up with the tambourine compact design as well.  As for the notion that the compact was specifically a French tambourine replica, that's also credible given Lelong's love for his home country.  So maybe the advertising isn't a complete pile of crap spun by unscrupulous marketing directors.*  ;)  Anyway, I was happy that I could find a name and date for this compact.  This is definitely one I'd love to add to my collection, but they are rare (read: expensive, especially when in good condition) and tend to get snatched up immediately.

In closing, I'd like to thank the person who took the time to share these items with me.  Since I was able to provide a couple tidbits, this was one of the few inquiries that didn't end with me getting very upset at finding zero information.  Plus, all of the compacts are great from a design standpoint.  Even if I didn't find a single thing about them, I would have just enjoyed looking at them.

What do you think?  Which of these is your favorite?

 

*Eh, it probably is. Another newspaper ad from December 1948, which I didn't clip since I refuse to upgrade to the "premium" subscription of newspapers.com (they're such jerks - this stuff should be free!), and my local library didn't carry the particular newspaper, notes that the tambourine is an "exact replica of a g---y's tambourine".  Oof.  That would be pretty unacceptable language now, not to mention that it makes me doubt how inspired the design was.  Or it could also be a matter of marketing to different geographic areas - perhaps the advertising people thought that "French" would be more appealing to what they perceived to be a high-fashion East Coast crowd so they used it in the ad that ran in the New York Times, and changed the description to the g-word for simple Midwestern folks, whom they assumed had less stylish taste than New Yorkers and may have been put off by anything described as French (the g-word ad was found in the Indianapolis Star.)

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Found! Some vintage inspiration for Benefit

I was eagerly scrolling through Instagram (which has, incidentally, become my favorite social media platform - please join and follow me, it's so much fun!) and came across a familiar image from one of the many vintage ephemera accounts I follow. 

Vintage Flexees lingerie mannequin
(image from instagram.com)

I knew it was makeup-related, but couldn't recall which company had used something that looked just like this lingerie mannequin.  Was it Too-FacedThe Balm?  Nope.  I racked my brain but just couldn't place it.  It wasn't until I started packing for a weekend at my parents' house that it dawned on me. 

Benefit Lana makeup bag

Aha!  I believe I found the original source for Benefit's Luscious Lana, especially given that Benefit refers to her as a lingerie model.  In an alternate version of the makeup bag she has the rose up by her head, but not in the original green bag.  I'm guessing Benefit used a reproduction mannequin of the Flexees one since her face is a little different.  Naturally this serindipitous find got me interested in trying to track down other vintage mannequins to see whether they figured into Benefit's packaging and advertising, and I found another lingerie mannequin that appeared on many of Benefit's old catalogs.  Apparently both this model and the one used for Lana were mannequins meant to be displayed on a store counter top, so they're pretty small - not life-size or anything, which makes them cute rather than creepy.  Both also appear to be from the 1940s or so.

As with Lana the face on this one is ever so slightly different.

Vintage lingerie mannequin
(image from ebay.com)

Benefit makeup catalog

While the features on this mannequin aren't as strikingly similar to the previous two, she still may have served as inspiration for Benefit's Beautiful Bermuda Betty, who appeared in various catalogs and a bag.  The downward-looking pose, hairstyle and smoky eye with thin arched brows look alike, although not identical.

Vintage Formfit mannequin
(image from ebay.com)

Benefit Bermuda Betty

I dug a little more but still couldn't find any original sources for Gabbi Glickman, who is probably Benefit's 2nd best known mannequin mascot.  I did unearth a pair of mannequin heads that are identical, but there was no information provided about them.

Benefit Gabbi bag

The one I was most interested in finding though was the mannequin used for Simone, the dark-haired beauty sporting a lavish gold dress who is probably Benefit's most recognized mascot.  Full-sized Simones reside in Benefit's headquarters in both San Francisco and Canada, and she appeared as the cover girl for most of the aforementioned catalogs.

Benefit headquarters - Simone mannequin(image from sfgate.com)

Benefit holiday makeup catalog

I did find a mannequin that looked just like Simone, but I had no idea what company it was for or approximately when it was made.  This was displayed at a Chanel event but I don't think it was an official Chanel advertising piece.

Chanel mannequin
(image from pinterest.com)

It also doesn't look like a regular vintage mannequin but rather a reproduction.  Looking at both this and Benefit's other mannequins in their offices, I'm wondering if they're using a mix of authentic vintage pieces and reproductions.

Benefit office - mannequin heads(image from refinery29.com)

For example, the third mannequin from the right definitely resembles this reproduction...

Mary mannequin by Marge Crunkleton
(image from crunkleton.com)

...while the blonde right in the middle is a dead ringer for this vintage 1940s jewelry mannequin.

Vintage jewelry mannequin
(image from ebay.com)

Why does Benefit rely so heavily on mannequins for their marketing?  One reason is that in their early days, the company couldn't afford to pay real spokespeople and models, so the mannequins served as a stand-in (this was also the reason Stila used illustrations).  Second, Benefit founders and Jean and Jane Ford always had an affinity for vintage fashion and beauty items.*  In a 2011 interview, Jean explained: "Over the years, Jane and I have collected vintage pieces for inspiration...we have vintage mannequins, compacts, posters, handbags and lots of old magazines.  There is something very romantic about the past.  For our packaging, we use both modern and old-fashioned images and styles to create fun products that women will want to carry in their bags or display on their vanity."  Indeed, using retro designs in a modern way has proved to be a dynamite strategy for the company.  I don't really see it as nostalgia for the past, per se, but rather an appreciation for the overall style and occasionally more kitschy aspects of selling femininity, such as those countertop display lingerie mannequins.  Sometimes I look at old makeup ads and burst out laughing - to modern eyes, the cheesiness and over-the-top tone are genuinely funny.  Benefit seizes the opportunity to celebrate the sillier side of vintage beauty and fashion and infused it into their entire brand.

What do you think?   

 

*In addition to the mannequins, I'm wondering whether Benefit was looking at these Max Factor doll lipstick mirrors when designing their 2016 holiday collection.


It's 5 o'clock somewhere: boozy makeup packaging

I remember thinking how cute and novel these wine bottle-shaped lipsticks were when they were making a sensation back in the fall.  (I do have one on the way but the package somehow keeps getting delayed so here's a stock photo for now.)  I'm not a wine person - gives me a horrible headache - but I do appreciate adorable makeup packaging so this gets a thumbs-up from me.  I mean on the one hand I'm not fond of wine once again being associated with a clichéd feminine stereotype (all ladies love wine, shopping, chocolate and shoes, amirite?), but on the other hand, this lipstick is just too cute.

Chateau Labiotte wine lipstick
(image from beautyboxkorea.com)

Turns out, this isn't the first time lipstick has been designed to resemble booze.  I was positively tickled when, during one of my customary Friday night vintage makeup searches on Etsy (I lead a very exciting life, I know), I came across this miniature lipstick cleverly packaged as a whiskey bottle.

Carstairs miniature whiskey bottle lipstick

Carstairs miniature whiskey bottle lipstick

Carstairs miniature whiskey bottle lipstick

It really is mini!

Carstairs miniature whiskey bottle lipstick

I'd never heard of Carstairs before, but apparently from roughly the '40s through the '60s they did a good amount of advertising for their White Seal whiskey, which is still sold today.  In addition to the lipsticks, they offered mini screwdrivers and toothpicks, along with seal clock figurines and the usual print advertising.  According to one (no longer active) ebay listing, the lipstick bottles started being produced around 1944 and other listings say they're from the '50s, so I guess they were used as promotional items for a few decades.  Here's a photo of one in Madeleine Marsh's excellent book, which also dates it to the '50s. 

Carstairs miniature whiskey bottle lipstick in Compacts and Cosmetics by Madeleine Marsh

I'm guessing that for the most part, the lipsticks were provided to bars and liquor stores and given away as a small gift-with-purchase, as there are quite a few full boxes of them floating around. I would have bought this one in a heartbeat because how cute would it have been to display it alongside a whole Chateau Labiotte set?

Vintage Carstairs whiskey lipstick set

Chateau Labiotte set(images from etsy.com and labiotte.us)

But the individual lipsticks are obviously a lot cheaper and I have many things I want to purchase for the summer exhibition, so I had to pass for now. ;)  As for the lipstick itself, a company called Christy Cosmetics, Inc. was responsible for producing it.  I couldn't find much information about it online, other than it was a New York-based company and was also the manufacturer of a line called Diana Deering (who was an entirely fictional character, or, as the patent puts it, "fanciful".)

Christy Cosmetics ad, 1944(image from what-i-found.blogspot.com)

Diana Deering ad, 1944

Diana Deering/Christy Cosmetics patent(image from tsdrapi.uspto.gov)

I'm sure there's information about Christy out there somewhere, but as usual I lack the time and other resources to do proper research, i.e., looking beyond Google.  If anyone knows anything about their relationship with Carstairs and how they were chosen to produce their promo items I'd love to hear it.

Uh-oh, we have a situation here.  Once again a certain little Sailor is up to no good.  "It's just my size!" 

Bottoms up!

I better go get this wrapped up and into storage before he smears it all over his face in attempt to "drink" the non-existent whiskey.  In any case, Happy St. Patrick's Day and I hope these lipsticks have inspired you to let your hair down and enjoy some adult beverages tonight!


A day with "jeweler to the stars" Paul Flato

Tiffany?  Harry Winston?  Fred Leighton?  Forget about 'em.  While they might be supplying the sparkling baubles for today's red carpet, back in the late '30s and '40s there was a jeweler bigger than those 3 put together:  Paul Flato.  I'll get to why I'm talking about a jeweler in a sec, but first a brief bio is in order.  Paul Flato (1900-1999), moved from his home state of Texas to New York City at the age of 20.  He opened his own jewelry store shortly afterwards and employed several designers.  By 1937 he had another store on the West Coast to further solidify his status as the go-to jeweler for the biggest Hollywood stars (think Joan Crawford and Katherine Hepburn) as well as a jewelry designer for major films.

Now here's where his story goes off the rails.  In 1943 he was arrested for pawning over $100,000 worth of jewels that clients and fellow jewelers had entrusted to him on consignment and served 16 months in Sing Sing.  Upon his release from prison he started a lucrative business designing compacts, which was fortunate as his Hollywood career was basically over.  After the compacts, Flato continued to design jewelry in the store he opened in Mexico City from 1970-1990, then returned to Texas for the last decade of his life.  To my knowledge he never got back into Hollywood's good graces - I couldn't find anything about him supplying jewelry for movies/actresses after 1943 - but it didn't matter since he had already become a legend.

I had seen the Flato brand floating around previously during my various vintage compact hunts and figured one would be a good addition to the Museum's collection, but none of the designs really appealed to me.  Since they can be on the pricey side I decided to hold off to see if any really caught my fancy.  And as luck would have it this adorable compact and lipstick case, still in the original box, eventually surfaced.  Against my better judgement I got involved in a nasty Ebay bidding war, but ultimately won (and probably overpaid a smidge). 

Paul Flato compact box

Looking back it was totally worth it given how awesome the design is.  You may or may not know I have a thing for mint green/jade/bakelite so when I gazed into this kitty's glowing mint green eyes I knew she had to be mine.

Paul Flato compact

Paul Flato compact

Paul Flato compact

Love the matching design on the lipstick case!

Paul Flato lipstick case

I thought it would be good to discuss Flato's style a little so we can see how it translated to the compacts.  I find his pieces to be whimsical and tongue-in-cheek, while still piling on the sparkle.  Some examples, according to his obit in the New York Times:  "Among them were a diamond 'corset' bracelet, with garters in rubies and diamonds, based on Mae West's undergarment...a compact for Gloria Vanderbilt was studded with gold and enamel angels, including an angel on a chamber pot. A pair of little brooches of gold feet with ruby toenails was originally made for Irene Castle, a play both on her maiden name, Foote, and her dancing career."  Flato also drew on everyday experiences and items - his observation of fallen leaves one crisp autumn day turned into this brooch, while a basic belt buckle became a dazzling aquamarine necklace.

Paul Flato leaves brooch

Paul Flato aquamarine and ruby belt buckle necklace
(images from langantiques.com)

Another prominent motif in Flato's work was hands, according to this site:  "Hand imagery had always been of interest to Flato, who notably used antique hand sculptures to display jewelry in ads that appeared in Vogue and Harper’s Bazaar during the 1930s."  Here are some quite literal examples.

Paul Flato hand brooches

Not only that, but Flato's own battle with hearing loss at a young age inspired a series of sign language pins.

Paul Flato sign language pins

Paul Flato sign language pins
(images from jewelsdujour.com)

This same playfulness mixed with a healthy dose of sparkle carried over to Flato's compacts.  I liked that he created designs that were different from his jewelry line but still maintained his signature style.  It looks like Flato filed the patent for the compacts in February 1948 and they were available for sale later that year. Interestingly, this wasn't the first time Flato had the idea to design compacts, as evidenced by this 1940 patent for a compact, cigarette case and lipstick combo.

Paul Flato compact patent(image from google.com)

I meant to order this ad from hprints in time for this post and completely spaced on it.  Sigh.

Paul Flato compact ad, 1948
(image from hprints.com)

The ones shown in the ad above are fairly common.  I wouldn't mind adding the seashell one to my collection.  ;)  There's also a patent for it too, which is pretty cool.

Paul Flato shell compact
(image from pinterest.com)

The popular dogwood design:

Paul Flato dogwood compact
(image from etsy.com)

And this circular patterned one.

Paul Flato compact
(image from ebth.com)

Apparently the compacts were a pretty big hit right away, according to this news snippet from 1949.

News-herald-franklin-pa-dec.2-1949

Some more, just for fun.

Paul Flato compact ad, November 1949

Paul Flato stars compact
(image from pinterest.com)

Paul Flato luck compacts

Paul Flato "crown jewels" compacts
(image from perfumebottles.org)

It's not just a key design; it's a key holder!  Yes, you could have the key on this compact custom filed to fit your door.  Personally I'd be petrified of losing it - my keys need to stay on a ring - but you have to admit there's some innovation there.

Paul Flato key compact ad, December 1950

Paul Flato key compact
(image from pinterest.com)

Another key ad, plus the wonderfully blinged-out teardrop design. 

Paul Flato compact ad, May 1951

Paul Flato teardrop compact
(image from liveauctioneers.com)

This one definitely shows Flato's sillier side.  Would you like one of his "scatabout" pins while you're at it?  You know, to anchor your lapel flower?  Fashion sure has changed!

June 1950

Paul Flato circus compact
(image from etsy.com)

This one is also a lot of fun.  I couldn't find any ads for it but I wonder if it was a special release for Easter.

Paul Flato bunny compact

Paul Flato bunny compact
(images from liveauctioneers.com)

The kitty one I have seems to be relatively rare. In my searches I did see one other in a beautiful tiger-eye colorway instead of the green, but I can't seem to find the photo of it now.  In any case, I'm pretty pleased with this acquisition as I do think it's one of Flato's better compact designs.

What do you think, both of Flato's jewelry and compacts?  Most of them aren't my style but I appreciate them nonetheless.  If his jewelry is really striking your fancy you can always buy this lovely catalog of his work.


A vintage menagerie from Shiseido

Well well well, what have we here?

Plushies making new friends

To be honest, I really have no idea.  All I know is that when I searched for vintage Shiseido on Ebay, I came up with a spate of white porcelain animal figurines.  Some other things: 1. they represent the animals from the Chinese zodiac; 2. there were a few different designs of each animal; 3. I went into a frenzy trying to collect all of them (unsuccessfully), and; 4. they were produced, or at least sourced, by a company named the Connor Group for Shiseido.  What I'm struggling with is why they were made and for whom they were intended.  I'm also not certain about the exact dates of the various versions, since some of the sellers listed them as being from the '70s, others from the '80s, and still more were made in the '90s, according to accompanying paperwork. 

I'll go in the order of the zodiac, starting with the rat.  Cute, no?  Given the shiny finish (more on that soon) I'm assuming it's from 1972 or 1984, but it's impossible to say.

Vintage Shiseido Chinese zodiac rat figurine

Vintage Shiseido Chinese zodiac rat figurine

Next is the ox, from either 1973 or 1985.

Vintage Shiseido Chinese zodiac ox figurine

Vintage Shiseido Chinese zodiac ox figurine

Vintage Shiseido Chinese zodiac ox figurine

Here's a different version of the ox, which I think might be from the '90s.  I was able to save this image from the Ebay listing but unfortunately someone snatched up the figurine itself a while ago.

Vintage Shiseido Chinese zodiac ox figurine
(image from ebay.com)

Tigers!  This one came with a fold-out that made things even more confusing. 

Vintage Shiseido Chinese zodiac tiger figurine

Vintage Shiseido Chinese zodiac tiger figurine

The style of the figurine is consistent with ones that are from the '90s, which we'll see later in this post, but the paper it came with clearly indicates it's from 1974.  Plus, there's no mention of Shiseido anywhere, not in the letter or even on the figurine - the other ones with the shiny finish have "Shiseido Japan" printed on them.  The seller also included the original shipping box it came in to the U.S. from Japan, but there were no clues there either.

Shiseido/W.E. Connor letter

Here's a different tiger. 

Vintage Shiseido Chinese zodiac tiger figurine

RAWWWRRRR!

This rabbit could be from 1975 or 1987.  According to this Etsy seller who had one listed for sale previously, it's from the '80s, but without anything else to go on the date is uncertain.

Vintage Shiseido Chinese zodiac rabbit figurine

Vintage Shiseido Chinese zodiac rabbit figurine

My favorite is the dragon, again most likely from 1976 or 1988.

Vintage Shiseido Chinese zodiac dragon figurine

Vintage Shiseido Chinese zodiac dragon figurine

The snakes are pretty cool too, unfortunately I couldn't track them down.

Vintage Shiseido Chinese zodiac snake figurines
(image from hautejuice.wordpress.com)

The horse is also tricky.  This one could be from 1978, given that this Ebay seller has another style.  (I have one of them on the way to me).  I got so desperate for answers I actually asked the seller if they had any other information.  No answer yet.

Vintage Shiseido Chinese zodiac horse figurine

Vintage Shiseido Chinese zodiac horse figurine

This goat (or ram) is from 1991, according to the foldout it came with.  But it's in a similar style to the tiger that's allegedly from 1974, and also has the same non-shiny finish and no Shiseido name printed on it.  See why I'm frustrated?!

Vintage Shiseido Chinese zodiac goat/ram figurine

Poor little guy has a tiny chip on his nose.

Vintage Shiseido Chinese zodiac goat/ram figurine

Vintage Shiseido Chinese zodiac ram fold out

Another version of the goat/ram, which was also sold before I could get my hands on it...no clue as to when it's from.

The monkey is also perplexing.  This one is apparently from 1992.

Vintage Shiseido Chinese zodiac monkey figurine

Vintage Shiseido Chinese zodiac monkey figurine

Shiseido monkey figurine foldout

And here's a different version, from the same Etsy seller who had the rabbit for sale, so maybe this one is from 1980?

Vintage Shiseido Chinese zodiac monkey figurine

Shiseido Chinese zodiac monkey figurine
(images from etsy.com)

Here's this year's critter, which I also missed out on.

Vintage Shiseido Chinese zodiac rooster figurine

Vintage Shiseido Chinese zodiac rooster figurine
(images from worthpoint.com)

This cute little akita was another that got away.  I'm assuming this one is also from the '80s.

Vintage Shiseido Chinese zodiac dog figurine

Vintage Shiseido Chinese zodiac dog figurine
(images from etsy.com)

And finally, a little piggy, ostensibly from 1995. 

Vintage Shiseido Chinese zodiac pig figurine

Vintage Shiseido Chinese zodiac pig figurine

Sadly, I don't think I'll ever solve the mystery behind these figurines.  I emailed both Shiseido and the Connor Group for more insight and was quite disappointed at not hearing a word from Shiseido.  You would think a company that is so committed to preserving their history would be interested in hearing from someone who is equally passionate about it and get back to me.  I don't think it's a matter of them not having any information either - again, since they have a whole museum and are clearly dedicated to recording all aspects of the company, I just know someone there knows something about these figurines!  I bet all the paperwork related to them is sitting in a basement in Shiseido's headquarters, but no one can be bothered to do a little digging.  I did get a reply from the Connor Group but they had no idea what these were and asked for more information.  So I sent pictures of both the figurines and letter that came with the tiger and never heard back.  Sigh.  My best guess is that these were either gifts to employees or gifts for Camellia Club members - in researching the rainbow powders, I learned that the latter group had access to exclusive Shiseido items (um, how awesome are these Erté dishes?!)  However, most of the Camellia Club gifts are labeled as such, whereas there is no such notation on the figurines or the papers they came with.  Shiseido also seems to collaborate with companies for other non-makeup items, like this anniversary plate produced by Noritake, so maybe the figurines were just some random item they had for sale.  Still, it drives me crazy that I don't have a definitive answer.

At least the plushies are enjoying playing with their new friends!

Let's joust!

Wait, don't we need lances for that?

Do you have any idea as to why Shiseido made these figurines?  And which one was your favorite?

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Back to the zodiac with Ziegfeld Girls

You might remember around this time last year I explored some great Elgin zodiac-themed compacts, along with Estée Lauder's lovely Erté zodiac compact series.  The zodiac seems quite popular as a decorative motif for compacts, since I came across yet more vintage zodiac compacts since then.  Tangentially related (obviously) to the popular Ziegfeld Follies, Ziegfeld Girl compacts made their debut in the early 1940s.  Collecting Vintage Compacts has an incredibly thorough history of the Ziegfeld Girls line so I implore you to go check it out when you have a chance.  Since my research skills are nowhere near on par with that blog's author I will just provide a brief summary of his amazing findings about these compacts.  The creator of Ziegfeld Follies, Florenz Ziegfeld, passed away in 1932; however, his enterprising widow licensed the rights to his name for use to other companies.  In the early '40s, a man named Walter Crane joined a plastics company owned by Dwight Hirsh.  These two businessmen got the idea to manufacture plastic compacts (a natural choice for material given the company's business and also because it was wartime) and somehow managed to secure the rights to the Ziegfeld name.  Crane filed a patent application for compacts in late 1943.  Several different types of Ziegfeld Girl compacts were produced prior to the zodiac series' introduction in 1946.  These were, sadly, a flash in the pan - they didn't sell well and were gone by 1947.

Now let's get to the compacts, shall we?  I found the designs to be so utterly charming - a different sort of playfulness than the Elgin ones, to be sure, but adorable nevertheless.  Like the Elgin compacts, however, these tend to be snapped up rather quickly once they pop up for sale.

I was unable to find an image of the actual compact for Aquarius, but you can see it in this ad.

Ziegfeld Zodiac Girl compact ad, February 1946

While encased in not-so-luxurious lucite, each one matches the sign's color. 

Ziegfeld Zodiac Girl compact - Capricorn
(image from worthpoint.com) 

Ziegfeld Zodiac Girl compact - Pisces
(image from ebay.com) 

Ziegfeld Zodiac Girl compact - Aries
(image from etsy.com)

Ziegfeld Zodiac Girl compact - Taurus
(image from etsy.com) 

Ziegfeld Zodiac Girl compact - Gemini
(image from ebay.co.uk)

Ziegfeld Zodiac Girl compact - Cancer
(image from etsy.com)

Ziegfeld Zodiac Girl compact - Leo
(image from etsy.com) 

Ziegfeld Zodiac Girl compact - Virgo
(image from etsy.com)

Ziegfeld Zodiac Girl compact - Libra
(image from ebay.com)

The one I'm most excited about, naturally, is the Scorpio one.  Not only did one of these compacts come up for sale after me keeping an eye out for many months, but it's also my sign. I couldn't believe my good luck!  You better believe I pounced as soon as I got that Ebay alert.

Ziegfeld Zodiac Girl compact - Scorpio

I have to say that the accompanying scorpions in depictions of the Scorpio sign creep me out a little.  I'm definitely a Scorpio personality-wise, but strictly from a design perspective I wish I were a Capricorn or Sagittarius.  Both are traditionally represented as mythical creatures - Capricorn is sort of a mermaid but with a goat head and Sagittarius is like a centaur.  Scorpions (and crustaceans for that matter - lobsters, crabs, shrimp, etc.), just look like big gross bugs to me.  :P  Oh well, I can't change my sign, right?

Ziegfeld Zodiac Girl compact - Scorpio

Ziegfeld Zodiac Girl compact - Scorpio

Anyway, these compacts are positively ginormous.  Here's a comparison photo with a Guerlain Météorites container so you can get a sense of the scale.

Ziegfeld Zodiac Girl compact - Scorpio

Sadly, I was also unable to find a photo of the Sagittarius compact, so I found an ad for that one as well.

Ziegfeld Zodiac Girl compact ad, May 1946

Speaking of ads, they were really cool to look at.  Just for fun here are some more.

I wish the compact I bought came with the little horoscope insert mentioned in this ad.

Ziegfeld Zodiac Girl compact ad, March 1946

Perfect for that glamorous cousin Gloria!  LOL.

Ziegfeld Zodiac Girl compact ad, November 1946

I liked this one not only since it features my sign but also because it shows all the different designs as well as an illustration of the horoscope insert.  This must have been from the official launch of the compacts, since it's from early 1946 and mentions special window displays. 

Ziegfeld Zodiac Girl compact ad, January 1946

And a sad sale ad a little over a year later.

Ziegfeld Zodiac Girls ad, April 1947
(images from newspapers.com)

Finally, a funny zodiac-related story: indicating just how obsessed I am with zodiac symbols and decor, a month or so ago I dreamed that Stila released their own zodiac palettes.  They were the same size and shape as the Look of the Month calendar palettes from 2004, and made of cardboard, but each had a Stila girl representing a zodiac sign instead of the month.  The zodiac glyphs were a continuous border around the edge of the palette.  For example, the Scorpio sign looks like a little M with a tail, so that was the border for my sign.  The Stila girls themselves were ridiculously cute...if I had any Photoshop or illustration skills I'd totally do a mockup!  I can see each design clear as crystal in my head but have no means of sharing them, sadly.  I remember being so happy at seeing Stila going back to their roots.

Anyway, did you like the Ziegfeld Zodiac Girls?  What's your sign and did you like the design for yours?


MM Smackdown: Brush holder bloodshed!

Mum.11-2016.smackdown.poster

In the spirit of Black Friday, which we celebrate in the U.S. by trampling each other to score cheap TVs and the latest must-have children's toy, I thought I'd put these ladies in the ole MM boxing ring to duke it out.  I found it pretty interesting that two companies decided to release vintage-inspired brush holders for the holiday season.  At first glance, they don't seem so different - both are from similarly sized brands, blonde with perfect cherry-red pouts and dainty pearl necklaces, but as we'll see each have their own unique secret weapons.

Bésame and LM Ladurée brush holders

It's gonna be intense, so...let's get ready to rummmmbbbblllllle!  *ding ding*

"Step off, bitch!"  "Make me, whore!"

In one corner of the ring we have the Bésame brush holder.  With her bouncy ponytail that also acts as a handle and makeup straight from the 1940s, this girl packs a strong punch. Bésame is also available at Sephora, which could be seen as an advantage over her opponent.

Bésame brush holder

Bésame brush holder

But LM Ladurée won't be pushed around so easily.  She boasts an equally jaunty hair style with a striped bow, but her thick black eyeliner proves she's not playing around.  Her eyes seem to be closed, making her face (in my opinion) less creepy than Bésame's somewhat lifeless stare.  LM Ladurée is only available in the U.S. through international sellers, making it more difficult to track down.  However, this could be also be an asset in that hard-to-find items can be seen as more special than readily available ones.

LM Ladurée brush holder

While both appear to be made from ceramic, there are significant differences:  Bésame's shine and heftier weight pits her directly against LM Ladurée's featherweight feel and matte finish.  Bésame may be bigger and stronger, but what LM Ladurée lacks in brawn she makes up for in agility.  

Bésame and LM Ladurée brush holders

And while the size disparity doesn't seem that big at first, adding brushes is the true size test.  As you can see, Bésame edges out LM Ladurée in terms of storage space.

Bésame and LM Ladurée brush holders

I predicted this was going to be a particularly intense smackdown, and I was right.  Things are getting ugly!  LM Ladurée has seized Bésame's ponytail and is ferociously yanking her head around.  Bésame swiftly retaliated by tearing off LM Ladurée's hair tie.  Well, as long as they're not going for their jewelry I guess it's fair game.  Oh, I take that back!  They have now ripped off each other's necklaces...I just hope LM Ladurée doesn't reach for Bésame's earrings.  Hoooooo boy!  Someone's gonna get KO'ed soon, so in these final moments, tell me who you think wins.  Will Bésame's larger size and ergonomic shape take down LM Ladurée?  Or will LM Ladurée's international status, more subtle matte finish and lightweight feel allow her to cleverly maneuver past Bésame's blows?


Friday fun (and fright): Halloween roundup

It's almost Halloween, so in keeping with the spirit I thought I'd share some sweet and spooky items I've come across.  Hopefully you'll enjoy this mix of vintage and new makeup ephemera.  However, I must warn that if you're a plushie aficionado like me, you may not be able to sleep after seeing some very bizarre vintage stuffed animals.

We'll start with the good stuff.  I've loved this vintage Pum-kin Rouge since I spotted it at the IPBA website a while back, and a recent Instagram post by the Glamourologist jogged my memory.   Pum-kin Rouge, a blush that was meant to be flattering on all complexions, was first introduced in 1922 by the Owl Drug Company.  In an effort to stay competitive with ever-popular French-sounding brands, in 1925 Owl Drug began marketing Pum-kin Rouge under the Darnée Perfumer name.  You can read the entire Owl Drug story, which is divided into two parts, over at the excellent Collecting Vintage Compacts blog. 

Pum-kin Rouge tin(image from worthpoint.com)

Even more rare than the round Pum-kin Rouge tin is this octagonal compact with a different pumpkin design, which appeared around 1928.  You can barely make it out in the photo below, but if you look closely you can see a woman's profile in the middle of the pumpkin.  So cool!

Pum-kin Rouge compact(image from ebay.com)

In terms of contemporary pieces, I admired these Halloween-themed highlighters from Etsy seller Bitter Lace Beauty.  (You may recall that this is the same company responsible for the rainbow highlighter frenzy.)  I didn't purchase them because I'm not sure how much I really want to branch into indie companies in terms of collecting for the Museum, but they're pretty cute.

Bitter Lace Beauty Halloween highlighters

Bitter Lace Beauty Halloween highlighters(images from @bitter.lace.beauty)

There were also these adorable coffin packages containing highlighters and glitter eye shadows from ColourPop.  Alas, they were only available to one lucky winner of a Halloween giveaway, not for sale to the public.  It's a shame, I would have snapped these up in a minute.

ColourPop Halloween giveaway sets

ColourPop Halloween giveaway sets(images from bustle.com and @colourpopcosmetics.com)

Now we're moving on to the very strange and scary items I found, all of which are vintage.  You may want to get some towels to sit on in case you soil yourself.  Okay, maybe they're not that bad but I have to say, if I found any of these at a vintage shop or flea market I'd hightail it out of there real fast.

First up is this super weird lip-shaped box.  It's listed as a powder box on Ebay, but it looks more like a trinket box rather than something cosmetic.  Still, since it's lip-shaped maybe it was intended for makeup.  So while I'm not certain of its original purpose, I do know that it really freaks me out.  This isn't comical like Charlotte Tilbury's new Pocket Pout (which honestly reminds me of those goofy novelty wax lips and/or Mrs. Potato Head), it's just creepy as hell.

Vintage lip-shaped powder box
(images from ebay.com)

I nearly jumped out of my chair when I saw this pop up in my Ebay search for vintage compacts.  Do you know who this character is? (I didn't but thought he was absolutely the most horrifying thing I've ever seen on a compact).

Vintage Charlie McCarthy compact
(image from pinterest.com)

If you said Charlie McCarthy, the doll companion of '30s-'40s-era ventriloquist Edgar Bergen, you are correct.  If you said "Why the hell is some terrifying dummy on a makeup compact?", that's also an acceptable response.  It's actually a pretty remarkable likeness, which makes it all the scarier.  *shudder*

Charlie McCarthy(image from britannica.com)

Also disturbing is that the asking price of another one I found is $199.95.  I'm sorry, but who would pay that amount to have this evil thing staring back at you?

I saved the most frightening items for last* - hopefully they won't leave you with nightmares.  If violence against plushies upsets you, don't finish reading! 

Searching for vintage compacts on Rubylane, I came across this little monkey.  He's got kind of a scary face that reminds me of the original cover for Stephen King's Skeleton Crew.  But whatever, he's makeup-related so it's probably okay, right?

Vintage Schuco monkey

And then I saw the next photo.

Vintage Schuco monkey(images from rubylane.com)

My approximate reactions (bonus points if you can name the horror movies these are from):

Terrified

gif

ack

Apparently there was a German toy company named Schuco that produced these abominations in the 1930s (insert Nazi joke here.) These are stuffed animals that one essentially mutilated to reach the makeup hidden inside.  They came in a variety of colors and critters, with a powder compact shoved in the tummy and a lipstick in the neck.  :(

Vintage Schuco monkey
(image from liveauctioneers.com)

Vintage Schuco bear
(image from pinterest.com)

If the sadist makeup-user preferred, they could also tear the shell off a turtle or gut a dog, cat or duck.  Their faces look so unhappy to me, what with their downturned mouths and lifeless eyes - could it be because their innards had to get brutally ripped apart every time someone wanted to powder their nose?

Vintage Schuco dog and turtle

Vintage Schuco duck and cat

Of course, you could always choose to "only" yank the head off to access your favorite perfume rather than both decapitation and disembowelment.

Vintage Schuco monkey - perfume
(images from liveauctioneers.com)

I don't know, maybe it's because I have an unnatural affection for plushies, but these upset me to my core.  I really can't tolerate seeing their little bodies split apart like this, not even for makeup.  It's just wrong!  Plushies should not be dismembered for any reason.  As with the Charlie McCarthy compact, I'm also astonished at the prices.  Granted, these stuffed animals are somewhat unique and Schuco is well-known enough to fetch a nice sum, but $300??  This is one of those pieces where I know, rationally, that it would be an important item to have in the Museum's collection, but my heart says absolutely not.

Anyway, if you're not scarred for life please tell me which of the fun picks you liked most and which of the scary ones most haunted you.

 

*I did come across this gun-shaped compact, but ultimately decided not to include it as I realized my post was turning into a political rant.


Vintage makeup highlights from DuBarry

This post is a result of my very kind mother-in-law gifting me some vintage DuBarry items, which she found while cleaning out her deceased mother's belongings.  She knew I would appreciate them and give them a good home, and I'm really pleased to have vintage makeup that came from a family member.  I'm okay with buying vintage items without knowing anything about who they belonged to, but obviously I feel more of a connection to the object when they come from someone I actually know.   Anyway, these items inspired me to learn a little more about the DuBarry line and, of course, purchase some other items so they didn't feel so alone. ;)

I'm not going to rehash the entire history of the line, as both Cosmetics and Skin and Collecting Vintage Compacts have excellent, thorough histories of both DuBarry and Richard Hudnut, the founder of the line (along with many other brands.)  The story in a nutshell:  DuBarry originally started as a fragrance developed by Hudnut in 1902.  In 1929 a makeup and skincare line was spun off the fragrance as an additional revenue source.  The line wasn't doing so well by the late 1930s; however, ever the businessman, Hudnut expanded his lucrative "Success School" (a charm school to prepare young debutantes for their coming out events) to include a new DuBarry "Success Course" that borrowed many of the same principles but without the debutante focus.  Part fat camp, part beauty and fashion tips, the Success Course earned the company over $4 million in a little over 3 years.  Not only was it a major money-maker, the course also helped the DuBarry makeup line gain significant brand recognition.  Since the 1960s the company passed through many owners but is still being sold today.

Without further ado, let's take a peek at some notable DuBarry items from their golden age (roughly 1940s-60s).  I found this beautiful fan-shaped color guide over at the Baltimore Shoeseum, an online museum that  specializes in swing era artifacts.  Let's hear it for another Baltimore-based online museum!  I'm sort of tempted to call and ask if they'd be willing to deaccession it to me, as I think the Makeup Museum would be a better fit.  ;)  I think this is from the early '30s.

DuBarry color guide(image from baltimoreshoeseum.com) 

There's also this gorgeously designed face powder.  Love the butterfly and reversed colors set on a diagonal.

DuBarry powder box
(image from etsy.com) 

But what DuBarry was particularly known for was the use of an image of Madame du Barry, a.k.a. the last mistress of Louis XV who, along with rival Marie Antoinette, lost her head in 1793. Collecting Vintage Compacts' entry notes that Hudnut named the line after Madame du Barry, but I'm curious to know what the source is on that and why Hudnut chose her.  In any case, there is no fabled tale of how Hudnut arrived at using Madame du Barry as inspiration the way there was with Harriet Hubbard Ayer's Madame Recamier skincare.  And it shows:  the company came up with vague likenesses of Madame du Barry for the product packaging rather than borrowing a real portrait.

The powder box below looks quite early and also resembles this etching.

Early DuBarry powder box(image from etsy.com)

This box also appears to be very early and is somewhat similar to this portrait.  These two boxes are the only ones I've seen with these particular designs, so I wonder if they were samples or prototypes not actually put into mass production.

Early DuBarry powder box(image from etsy.com)

The only exception to DuBarry's lack of faithful reproductions of the Comtesse was a sketch of a sculpture by Augustin Pajou. 

Madame du Barry by Augustin Pajou, 1773
(image from louvre.fr)

Roughly from the start of the line in 1929, DuBarry utilized a drawing of the sculpture for ads and powder boxes and continued to use it up until the early to mid '40s.

1930 DuBarry ad
(image from cosmeticsandskin.com)

1941 DuBarry ad(image from library.duke.edu) 

Naturally I had to get one to add to the Museum's collection.

Dubarry powder box

Okay, maybe I got 2!  But the design was a little different and I figured variety couldn't hurt.

DuBarry large powder box

I also liked the pattern on the sides.

DuBarry large powder box

Just to give you a sense of the size, that 2nd box is body powder and way bigger than the face powder pox.

Dubarry powder boxes

But starting around 1935 (at least according to the ad below), DuBarry displayed a different, completely imaginary representation of Madame du Barry, and it appears that in 1942 they began adding her to their packaging and phasing out the other, accurate Madame du Barry depiction.  I've looked everywhere online and there is no portrait of Madame du Barry that even remotely resembles this one. 

1935 DuBarry ad(image from library.duke.edu) 

It appears to be an amalgam of the Pajou sculpture (the asymmetrical, drapey neckline), this 1770 portrait by François-Hubert Drouais (hair is up with one lone curl around the neck), and this 1771 portrait, also by Drouais (hairstyle is similar, although DuBarry seems to have swapped out the blue ribbon for a blue jewel on the packaging).  You can see, however, that the woman on the box is not a direct copy of any portrait, as was the case with the Pajou sculpture.

1942 DuBarry ad(image from periodpaper.com)

1946 DuBarry ad

I bought this one too, along with the ad above. :)

DuBarry powder box

Then in 1949 DuBarry changed the likeness on the packaging yet again.  This time Madame du Barry appears with the ridiculously high powdered wig hairstyle that we associate with the French Revolution era.  Again, as far as I could tell, there is no portrait of Madame  du Barry that resembles this - here's the closest one I found - but even the face on this DuBarry packaging looks nothing like her!

1950 DuBarry ad(image from etsy.com) 

This image was used through the mid 1950s.

1954 DuBarry ad(image from flickr.com)

To round out the Madame du Barry representations I had to get this one too.  This is probably the most common DuBarry box I came across.

Dubarry powder box

The next item I thought would be a nice addition to the Museum's DuBarry holdings were these lipstick blotting sheets.  Clearly men are the only ones who are affected by lipstick transfer and it's their comfort we have to worry about most, not the simple fact that women would just like a lipstick that stays put so we're not constantly touching up. *eyeroll*  Still, I thought it was amusing that they put a cartoon man on the case and I don't have any vintage lipstick blotters in the Museum's collection.  (And like the DuBarry powder boxes it was super cheap, which is always a plus.)

DuBarry lipstick blotting sheets

DuBarry lipstick blotting sheets

DuBarry lipstick blotting sheets

Based on the graphics I really thought this was from the early '60s, but I was way off.  Turns out DuBarry's "Treasure Stick" lipstick was introduced in 1947 and was sold at least through 1951, according to the ads below, so these blotting sheets are from around then as well.

1947 DuBarry ad
(image from pinterest.com)

1951 DuBarry ad(image from etsy.com)

Finally, here are the items that once belonged to the husband's grandmother which my mother-in-law kindly passed along to me.  Thanks, M.!

Dubarry lipstick refills

Dubarry lipstick

Naturally I was eager to find out approximately when they were from.  Just at first glance they appeared to be early '60s to me, but I couldn't say so with any certainty, so off I went to search for clues.  Based on the ads below it didn't look like the lipsticks I have are from the '40s.

1941 Dubarry ad(image from library.duke.edu)

1945 DuBarry ad(image from library.duke.edu) 

It wasn't from the mid-'50s either.

1956 DuBarry ad(image from pinterest.com)

Low and behold, in 1958 we see a new lipstick tube and bullet that are very similar to those bestowed upon the Museum.  With the debut of the "Royal" lipstick (you've seen this ad before), there also came a new case.  However, it's gold-toned and not silver like the ones I have.  Hmmm...

1958 DuBarry ad

1958 DuBarry ad

1959 DuBarry ad(image from mudwerks.tumblr.com)

It's hard to tell, but judging from this 1961 ad below, it looks like DuBarry made the switch to the silver casing by then.

1961 DuBarry ad(image from pinterest.com)

1962 DuBarry ad(image from adweek.com) 

So while I'm still not 100% sure, I can say with confidence that the lipsticks I was given date from the late '50s or early '60s, especially given that the prices are the same on the refill boxes and in the ads. 

Just for fun, how cute is this "Morning Noon and Night" set?  Now that would be quite a find!

1964 DuBarry ad(image from pinterest.com)

DuBarry went on to launch a pretty interesting campaign for their Glissando range starting in 1964 - at least, from an advertising point of view.  Since there were so many ads I simply couldn't narrow it down, but they were a good representation of mid to late '60s style.  As noted earlier, the brand changed hands several times over the years but is still around today.  I kind of wish they would look to their golden age and re-introduce packaging with an updated (and accurate) depiction of Madame du Barry.  As Collecting Vintage Compacts points out, the Comtesse's consumer appeal cannot be denied:  "[The DuBarry] fragrance could not have failed to be recognized by the buying public as representing the essence of feminine beauty, intrigue and even a hint of scandal."  Indeed, I can see many people buying makeup with the King's favorite adorning the packaging.  :)

So those are some highlights from DuBarry when they were in their prime.   Which ones did you like best?

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Quick post: Meet Enrico!

You might remember this neat ad for Max Factor's Italian Touch that I featured in the summer exhibition.

Max Factor Italian Touch ad, 1957

I also mentioned there was a really cool bust used as a store prop floating about on E-bay, but that it was pricey.  Well, as it turns out I didn't have to worry about the cost because a certain very thoughtful and generous husband purchased it for me!  I really don't have anything like this in the Museum's collection and I was so happy he snagged it for me.  As far as store advertising goes it's pretty unique.

I've named him Enrico.  :)

Max Factor Italian Touch bust, ca. 1957

Max Factor Italian Touch bust, ca. 1957

Max Factor Italian Touch bust, ca. 1957

Max Factor Italian Touch bust, ca. 1957

Max Factor Italian Touch bust, ca. 1957

I love the sphinxes on each shoulder!  Perhaps they were borrowed from the Augustus of Prima Porta.

Max Factor Italian Touch bust, ca. 1957

I couldn't find a complete history of the campaign but it must have been quite large, given that I've seen ads in various languages.  In addition to plain old English, I also came across French:

Max Factor Italian Touch ad
(image from hprints.com)

Italian (of course...additionally, Italian film star Virna Lisi starred as the model, which further demonstrates how calculated the campaign was):

Max Factor Italian Touch ad
(image from delcampe.net)

And Dutch.  This is particularly fascinating given that the e-bay seller Enrico was purchased from was located in the Netherlands.  I also would have loved to get my hands on the little set pictured in these ads to round out a sort of capsule collection of the Italian Touch campaign, but I'm pretty satisfied with the bust.

Max Factor Italian Touch ad
(image from invaluable.com)

I also found these two English-language ads from Canada and Singapore. 

Max Factor Italian Touch ad(image from middlebrowcanada.com)

I couldn't remove the watermark from this but you get the gist.

Max Factor Italian Touch ad, Straits Times, October 8, 1957
(image from eresources.nlb.gov.sg)

In the U.S., a new shade called Roman Touch was available in several products in addition to the Italian Touch collection.

Max Factor Roman Touch ad, Deseret News, May 1, 1957
(image from news.google.com)

Max Factor Roman Touch ad, Torrance Press, April 25, 1957(image from arch.torranceca.gov)

All in all, I think this is one of the strangest, yet well-planned advertising campaigns for a vintage collection I've come across.  Normally I'd be creeped out by the idea of statues coming to life, but in this case I think the offbeat nature of it is quite amusing. And based on what Museum Advisory Committee member Sailor Babo has told me about his conversations with him, Enrico is totally harmless and has lots of interesting stories.

Sailor Babo makes a new friend!

What do you think about this latest Museum gift?  Big huge thanks to my awesome and supportive husband. :)