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May 2017

You're invited to Gucci's ladybug picnic

This song from my childhood immediately popped into my head when I spotted Gucci's new palette.

I was pleased to see Gucci doing something a little different packaging wise.  It's a relatively new line, launched in fall 2014, and I honestly haven't been interested in it either for collectible purposes or actual use.  But this new blush got me hoping this is the start of many more limited-edition items with fresh designs.  And I usually hate bugs with a passion, but ladybugs (along with fireflies) are acceptable to me.  :)

I didn't take a picture of the front of the case, as it was simply Gucci's usual interlocking gold G's.  They could have put a ladybug print on the outer case, but as this is their first try at a limited-edition item I shouldn't be too critical.  Inside, the powder is embossed with a single ladybug sporting 6 spots. 

Gucci ladybug blush

Gucci ladybug blush

Before I purchased the blush I did a quick search to see whether it had anything to do with Gucci's clothing - ladybugs seemed so random.  However, Gucci offers a healthy selection of items sporting the little critter.

I think the print on these tote bags would have been perfect for the outer case of the blush, no?

Gucci ladybug bags

Gucci ladybug leather coin purse

Gucci ladybug shoes

Gucci ladybug brooch and keychain

Especially adorable is their children's line.  I have no interest in having kids and would most likely never drop serious cash on their clothing (I mean, they grow out of it so quickly!), but damn, children's clothing is just precious to look at.

Gucci kids clothing

Gucci kids shoes
(images from gucci, saks, bloomingdales and net-a-porter)

Still, I was puzzled about the ladybug motif.  I did find them lurking in the spring and pre-fall 2016 collections, among many other creatures and insects. 

Gucci spring 2016

Gucci pre fall 2016

Gucci pre fall 2016

Gucci pre fall 2016(images from vogue.com)

These collections gave me a bit more context for the ladybug design.  Upon seeing them mixed in floral and animal prints, a blush palette with a ladybug didn't seem too far out of left field.  The Garden collection, an online-exclusive capsule collection released in the summer of 2016, was another addition to the flora and fauna frenzy that the brand seemed to be partaking in that year.

Gucci Garden collection

Gucci Garden collection

Gucci Garden collection

Gucci Garden collection(images from gucci.com)

Yet I just couldn't figure out why there was so much emphasis on, well, nature at Gucci.  It wasn't until I read a brief description of Gucci's history and how its relatively new Creative Director, Alessandro Michele, has been modernizing the house's traditions. "Reflecting its clientele’s dynamic, well-traveled and sportif lifestyles, the brand very early on began incorporating animal motifs into its designs. Gucci’s famous horse-bit icon drew from the passion for horseback riding among its Italian aristocrat customers...since taking over as Creative Director in January 2015, Alessandro Michele has been drawing upon Gucci’s archives and this history of fauna fervor by incorporating a large variety of animals into his designs. With each collection the designer adds several more creatures to his Gucci stable, drawing on their cultural symbolism to provide layers of meaning to his heavily referential and often occult-tinged themes.  Michele’s ever-increasing insectarium collects together dragonflies, beetles, ants, bees, ladybugs, moths, and butterflies. A lepidopterist and entomologist's dream, Alessandro Michele's collections for Gucci are a fantasia of insect life. Bugs are joined by a parade of mammals on clothing and jewels: tigers, rabbits, lions, horses, cats, foxes, and many more. Gucci’s sparkling, brash menagerie is woven into velvet; formed into metal studs, large sculptural rings, and cascading earrings; beaded and sequined; patchworked out of fur; and even needlepointed. Each creature has its own symbolic meaning."  Finally, we have an answer!  I guess because I didn't investigate their makeup earlier and also because Gucci just isn't on my fashion radar, I had no idea they had a history of using animal and flower motifs.  Now that I know, I admire Michele's examination of Gucci's archives and his take on motifs that he presumably selected from them, along with his own new additions.  The flora and fauna read modern and sophisticated rather than stale and stuffy, or worse, cutesy.  And as the article points out, high-end materials also help elevate ladybugs and their pals.  It's whimsical luxury (or luxurious whimsy) that still is in keeping with Gucci's history and aesthetic.

As for the significance of the ladybugs themselves, Farfetch says they're a "symbol of luck and protection that has come to be a signature from Alessandro Michele."  I don't know about that, but when considering his designs from the past few seasons and knowing that he's updating Gucci's traditions, a ladybug on the blush palette seems to fit.  Despite the lackluster outer case and the fact that I would have liked to see a more intricate and colorful design, it was still Museum-worthy.  Instead of a single ladybug, the part of the Garden collection print with it would have been awesome, rotated like this (yes I know it's small but you get the idea.)

Gucci-Garden- snippet

But overall it was a good first effort from Gucci and I hope they do more in this vein.  I also hope I can remember to work it into next spring's exhibition.  It would look particularly nice next to Dior's Flower Blossom palette, which is the only other palette I can think of that has a ladybug.

Thoughts?


MM Mailbag: fab four

For the majority of inquiries I receive -  say, around 75% - I'm ashamed to admit that I can't provide any information.  I do enjoy researching them but I loathe not being able to give a definitive answer on the item or brand people are asking about.  Recently I receive an inquiry from a woman who was, sadly, going through her deceased mother's belongings and came across 4 gorgeous compacts that she wanted to know a little more about.  While I was still not able to provide solid information for a couple of them, I was able to delve a bit more deeply into 2 of them.  I guess 50% is better than my usual rate for inquiries!

First up is this lovely gold-tone number with a sunburst pattern on the front and a basket weave pattern on the back. 

Vintage Melissa compact

Fortunately the puff was still in there so I could see the brand.  The Melissa company, according to the British Compact Collectors' Society, dates from around the 1950s-70s.  Says one researcher: "Melissa is thought to have been based in Acton, London W3 from the early 1950s, but I found that by 1962 the company had premises in Arundel Road, Uxbridge, Middlesex.  In 1970, the company was still listed at this address in a telephone directory, but by 1972 another company occupied the site.  A local trade directory of 1976 listed Searchlight Products, so possibly the firm was still trading at this later date, but I have been unable to find out at what date it ceased manufacturing compacts." 

Vintage Melissa compact

Next up is a "sweetheart" black enamel compact, so named for their popularity among WWII soldiers who gave them as gifts to their loved ones during wartime.  Without a maker's mark I couldn't identify the brand, but from what I could make out the insignia in the heart looks a bit like the "prop and wings" motif from the U.S. Air Corps.  I asked the submitter if anyone in her family was in the military and she confirmed that her father was in the Army Air Force during WWII.  What a sweet gift for her mom. 

I'd love to write a comprehensive history of sweetheart compacts, but it's such a huge project that it will have to wait for when I have time...like, maybe when I'm retired.  :(

Vintage sweetheart compact

Vintage sweetheart compact

For these last two a little more information was available.  Zell was a leading compact company from the '30s-'60s and was  one of the "5th Avenue" lines, along with Rex, Dorset, Columbia and Dale.  Zell had some quite novel compact designs early on, including the "First Nighter" - a compact with a flashlight that was released in the '30s (can you believe that?!)  But Zell was primarily known as a solid brand that offered understated, stylish designs as well.  The compact in question is an elegantly striped square piece with rounded edges.

Vintage Zell compact

Vintage Zell compact

I tried to find a little more information from my local library about the company, but came up mostly empty-handed.  I learned through a few meager news clippings that the company was founded by David H. Zell, who passed away in 1944.  While his widow Sophie was technically President, it was the Vice President, one of their sons Daniel D. Zell, who was really running the show, given this clipping (not to mention numerous patents in his name.)

1951 clip

After I scoured the historical newspapers, I decided to try old-fashioned googling to at least try to find when the Zell company was founded and when it went out of business.  I didn't find those dates, but I did unearth something quite interesting and bought it immediately.

Zell compact ad 1946

Well, look what I spy!  It's the very same compact!  The ad indicates that this particular style actually had a name:  it was called the "Countess".  Here it is up close in case you couldn't make it out.  (The one above is the "Aristocrat" and the one below is the "Princess".  Ooh la la.)

Zell ad close up

When I originally researched this inquiry I guessed that the compact in question was from the '50s, as that was the height of Zell's popularity and, in my opinion, gold-tone compacts.  But I was wrong.  The promotional ad is from 1946, so it must have been released if not that year then around then. While I'm still a little miffed at not being able to put together a full history of Zell, I'm glad I could at least identify this particular compact.  It was complete luck but I'll take it.  :)

I saved the most interesting one for last.  I couldn't for the life of me recognize the brand, as the photo of the mark on the back was too dark and small.

Lucien Lelong tambourine compact

Thankfully the submitter included a picture of the puff.  I recognized the concentric L-shapes as the logo belonging to Lucien Lelong, a famed French couturier turned perfumer and cosmetics manufacturer.

Lucien Lelong tambourine compact

The design of the compact is truly fascinating.  The intricate, regal birds are reminiscent of motifs found on royal crests, and I can't say I've ever seen a compact with little rings attached to it.  Off I went to find more information and found a few ads so I could give a date of when this compact was released.  Known as the "tambourine" compact, it looks like it first appeared in September 1948. The rings could be simply decorative and just there to be "pleasant sounding", or perhaps Mom could attach some charms to them - seems they were really pushing this as either a Valentine's Day or Mother's Day gift.  It may also have waned in popularity by 1950, given the price drop from the original $5 to $0.99.  As a side note, my mind is always blown by the retail prices of vintage pieces!  They seem so inexpensive, but according to this online calculator a $5 compact would cost approximately $52 nowadays.  Still, that's a reasonable price for a nice compact...and it would be only $10.13 on sale.  :)

Lucien Lelong Tambourine compact ad, September 1948

LOL at "gifty!"  These old ads crack me up sometimes.

Lucien Lelong Tambourine compact ad, February 1949

Lucien Lelong Tambourine compact ad, May 1950

I was really curious to know why Lelong decided to introduce this compact, as it didn't seem to have a connection to any of the company's fragrances or couture.  I did come across this "Ting a Ling" perfume bottle which also had rings attached and was released around the same time as the compact. 

Lucien Lelong Ting a Ling perfume
(image from collection.cooperhewitt.org)

But as you can see, it has bells, whereas I didn't see any Tambourine compacts with bells.  According to the New York Times ad above, the compact was a replica of a vintage French tambourine, which, when I first laid eyes on that description, sounded like utter marketing garbage.  However, thanks to extensive information provided on Lelong by the Fashion Institute of Design and Merchandising, it's entirely possible that the design was indeed inspired by a vintage tambourine.  Lelong employed the services of noted artist Peter Fink to create novel, unique packaging for his perfumes and lipsticks, such as the Ting a Ling bottle and Full Dress lipstick mentioned in the ad above, so it's probable that Fink came up with the tambourine compact design as well.  As for the notion that the compact was specifically a French tambourine replica, that's also credible given Lelong's love for his home country.  So maybe the advertising isn't a complete pile of crap spun by unscrupulous marketing directors.*  ;)  Anyway, I was happy that I could find a name and date for this compact.  This is definitely one I'd love to add to my collection, but they are rare (read: expensive, especially when in good condition) and tend to get snatched up immediately.

In closing, I'd like to thank the person who took the time to share these items with me.  Since I was able to provide a couple tidbits, this was one of the few inquiries that didn't end with me getting very upset at finding zero information.  Plus, all of the compacts are great from a design standpoint.  Even if I didn't find a single thing about them, I would have just enjoyed looking at them.

What do you think?  Which of these is your favorite?

 

*Eh, it probably is. Another newspaper ad from December 1948, which I didn't clip since I refuse to upgrade to the "premium" subscription of newspapers.com (they're such jerks - this stuff should be free!), and my local library didn't carry the particular newspaper, notes that the tambourine is an "exact replica of a g---y's tambourine".  Oof.  That would be pretty unacceptable language now, not to mention that it makes me doubt how inspired the design was.  Or it could also be a matter of marketing to different geographic areas - perhaps the advertising people thought that "French" would be more appealing to what they perceived to be a high-fashion East Coast crowd so they used it in the ad that ran in the New York Times, and changed the description to the g-word for simple Midwestern folks, whom they assumed had less stylish taste than New Yorkers and may have been put off by anything described as French (the g-word ad was found in the Indianapolis Star.)

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Curator's Corner, 5/14/2017

CC logoHello and Happy Mother's Day to all the moms!  If you're not a mom I hope you're having a lovely Sunday.  Unfortunately I am not...our living situation has not improved so we continue to actively look for new Museum headquarters, my 3rd chemical peel went badly (resulted in scabby, oozing wounds, which didn't occur with the first 2 peels - no idea what happened this time), and work has really picked up and will be busy till the end of June.  So things might get a little quiet around here since work stress and house hunting = me having no energy/time left to blog.  Anyway, I'll do my best to keep posting.  And to stop complaining.  ;)

- Here's a nice little read on cosmetics and personal hygiene products in ancient Egypt

- It's always surprising to me how little the cosmetics industry is regulated, which is why I was intrigued by this new bill

- And now for the crazy fads from the past 2 weeks:  pizza slice, "shine line" and mother-of-pearl hair are having a moment, brow art continues full speed ahead, and I have to say I'm digging this new eye makeup trend, remarkably impractical though it is.

- Racked highlights the growing population of recovering makeup addicts.  I can't say I'll ever be a part of their group, but it's good to know they're there.  (I was actually aware of the Makeup Rehab reddit previously since the Museum's very first in-person visitor is a member and told me all about it.)

- I've had my issues with Dove's campaigns before, but this is a new level of dumb.  Equally stupid is this new lipstick "hack" - an easier, more accurate way to determine what a lipstick will actually look like on your lips (and for you to see whether it's flattering) is swatching it on your fingertips.  Finally, when will it end??

The random:

- In '90s nostalgia, the frontman of one of the decade's most prominent bands finished his Ph.D.  I was also super excited about the new season of Twin Peaks...until I read this article indicating that at least 3 characters aren't coming back.  (Two of these absences are due to the fact that the actors who played them have passed away since the show's original run - so sad!)

- A little art history fun.  Also, if this can get funding, surely my museum can.

- Makeup Museum staff's worst nightmare.

- LOL.

What's new with you?

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Ms. Min for MAC

Before I delve into the summer collections, I thought I'd look at one last release from the spring.  MAC teamed up with Chinese fashion designer Min Liu (a.k.a. Ms. Min) for a small collection featuring Min's signature modern twist on traditional Chinese style.  I picked up the standout from the collection, a blush/highlighter palette embossed with a truly gorgeous wave pattern.

Min Liu for MAC palette

Min Liu for MAC palette

I didn't have to search very hard to find the inspiration behind the colors Min chose, along with the wave design.  In an interview with online magazine Buro 24/7, she explains, "There are actually four main colors in this collection which are China red, lush peony pink, shimmering platinum, and bold ink black. Each colour is rich in meaning and contains a distinct energy in traditional colour theory. Red promises loyalty and bravery. Pink is a metaphor of beauty. Silver introduces the gods and spirits. Black brings honesty and integrity...The philosophy behind my collaboration with MAC is that everything is about how energy flows, casting a distinct aura, vitalising all forms of life — humans, water, mountains, earth, oceans, clouds. That no matter how it shifts and changes over time, the world maintains an eternal rhythm. It's also inspired by the ancient masterpiece Shang Hai Jing (The Guideways through Mountains and Seas), which is about Chinese mythology culture, spirituality, and folklore...[It's] an allegory for the energy that flows between mountains and oceans and across vast landscapes, spanning time and space. To open this compact is like feeling the universe in your hand. Somehow it reminds me that there is a universe out there." 

Min Liu for MAC palette

Min Liu for MAC palette

I personally think the design resembles the waves from this 1597 illustration of the Guideways Through Mountains and Seas.  (It also reminds me of Hokusai's The Great Wave, but that's a completely different cultural reference.)

Classic of Mountains and Seas illustration, 1597(image from commons.wikimedia.org)

So it's pretty, but what does the makeup have to do with Min's fashion?  Well, the designer created a beautiful capsule collection to coordinate with the makeup, which was unveiled at Shanghai's fashion week in a rather dramatic runway show.  (There's probably a lot more information in this WWD article, but of course it's behind a paywall and my library doesn't have the April issue available yet.  Sigh.) 

MAC Min Liu display

Mac-min-liu-show-dance

The clothing was simply stunning and the makeup was spot-on.  I can't imagine a more harmonious collection.  I can also definitely see the traditional-meets-contemporary vibe of the clothing, which is better described by Min:  "The style of Ms MIN has always been inspired a lot by tradition, culture and spirituality. There's been this conversation between modernity and tradition, Yin and Yang, contrary and balance and ultimately, discovering the harmony of all elements together. Anything relative to beauty reminds us and inspires us: beauty of life, beauty of energy, beauty of this world, and beauty inside of ourselves."  And as for her general perspective on makeup, Min emphasizes owning your look. "I'm wearing the makeup, the makeup is not wearing me," she says.  It's a good reminder not to wear anything that makes you uncomfortable; otherwise it will indeed look like the makeup is wearing you and not the other way around.

MAC Min Liu show

MAC Min Liu fashion collection
(images from mt.sohu.com)

Obviously the clothing was also used in the MAC campaign ads - here's a slightly better glimpse of it. 

MAC Min Liu ad

Overall, I can't say I'd wear any of Min's clothing, but I appreciate her aesthetic.  And I think the MAC palette totally captures it by updating a motif inspired by an ancient Chinese text, along with the color scheme - the shades chosen have certain traditional meanings in Chinese culture, but combining them into one palette, along with how they were used on the runway and campaign, gives them a modern feel. 

What do you think?


Friday with Frida: more Kahlo-inspired makeup

Happy Cinco de Mayo!  In honor of this festive day I thought I'd do a quick follow-up to Republic Nail's Frida Kahlo-themed polishes.  Turns out, another beauty brand beat them to the punch in early 2016 with a line of lipsticks featuring packaging inspired by the artist.  You might remember how enamored I was of Mexican company Pai Pai back in 2015, when I was positively drooling over their concept of collaborating with a different Mexican artist each season to create limited edition packaging.  Anyway, I spotted their summer 2017 collection on Instagram and was once again smitten, so I decided to catch up and see what else they had been up to since I posted about them.  That's when I found these lipsticks.

Paipai - Talia Cu

The fashion illustrator/journalist behind these, Talia Cu (Castellanos)1 had a less literal interpretation of Kahlo's work than Republic Nail.  Cu was interested in expressing the essence of Kahlo herself rather than reproducing her work, wanting to explore Kahlo's personality and fashion sense more than her art.  To accomplish this, Cu looked to both Kahlo's general surroundings and the pictures of her personal belongings photographed by Ishiuchi Miyako.  As I noted in the Republic Nail post, Kahlo's clothing, accessories and other items weren't discovered in her home until 50 years after her death.  In 2011 Miyako embarked on a breathtaking series that captured Kahlo's spirit through her personal effects (over 300 were photographed!).  It was these photos, along with other meaningful items from Kahlo's day-to-day life, that Cu used as a jumping off point for her designs.  I tried translating Cu's explanation as best I could (my Spanish is incredibly rusty) from this Vogue Mexico article.2  "I wanted to give a unique perspective and not necessarily focus on her art.  Mainly, I took inspiration from the photographs Ishiuchi Miyako took of Frida Kahlo's things, and I also wanted to revisit certain iconic motifs in her art (watermelon, monkeys, the phrase 'viva la vida') to create this small universe that built her personality."  If any illustrator is suited to take on this task, it's Cu - one look at her Instagram, which is chock full of vibrant street fashion sketches and animations, told me she could breathe new life into Kahlo's style as expressed through various items.

Paipai - Talia Cu
(images from paipai.mx)

Ishiuchi Miyako, "Frida by Ishiuchi #2" and "#11"

Ishiuchi Miyako, "Frida by Ishiuchi #50"
(images from michaelhoppengallery.com and itsnicethat.com)

Cu imagined what Kahlo would look like wearing those cat-eye sunglasses, borrowing (I suspect, given the shape of the flowers atop her head) a portrait by Nickolas Muray.  The green and white polka dot print on the lipstick may also have been a nod to the green floral background from one of Kahlo's most famous photos.

Paipai - Talia Cu

Frida Kahlo
(image from nickolasmuray.com)

As noted previously, Kahlo kept several monkeys, along with a host of other animals, as surrogate children. (One thing I didn't know before was that monkeys were also a symbol of lust in traditional Mexican folklore.)  Cu created a charming monkey print to represent Kahlo's attachment to these animals.

Paipai - Talia Cu

Frida Kahlo, Self-Portrait with Monkeys, 1943(image from fridakahlo.org)

Frida Kahlo, 1943(image from nydailynews.com)

I thought a cactus print was kind of strange since I don't remember these plants appearing in any Kahlo paintings, until I did a little more digging - I spotted many cacti in the garden as well as a cactus wall surrounding Kahlo's beloved home, La Casa Azul (it's now a museum and I want to go!), so I'm assuming that's where it came from.

Paipai - Talia Cu

Frida Kahlo - Casa Azul(image from latinflyer.com)

Watermelons were a popular motif in Kahlo's still-life paintings.  Once again Cu gives them a fun, playful twist - they seem much less heavy than the fruits that appear in Kahlo's work.   Knowing that Kahlo added the inscription on Viva La Vida, Sandias just a few days before her death, for example, is rather bleak.  Cu's color choice of bright blue and peach, as well as the exuberant, lightweight lines of the fruit, transforms the phrase into an upbeat slogan of sorts.  (Oddly enough, you can actually buy a ceramic watermelon with the inscription from La Casa Azul's gift shop.)

Paipai - Talia Cu

Frida Kahlo, Viva La Vida, 1954

Frida Kahlo, Still Life with Watermelons, 1953

Frida Kahlo, The Bride Frightened at Seeing Life Opened, 1943

Frida Kahlo, Coconuts, 1951(images from fridakahlo.org)

By the way, if you're wondering why I'm using stock photos of the lipsticks instead of my own, there's a simple reason:  Pai Pai's shipping cost was completely prohibitive.  I was finally ready to pull the trigger on some items from this collection as well as the summer 2017 collection, but when I saw the shipping cost my heart dropped.  I thought the prices were mistakenly listed in Mexican pesos, but no, they were clearly U.S. dollars.  I was going to do a screenshot of the cost, but in prepping the photos for this post it seems PaiPai's check out isn't working (I keep getting an "internal server error" message) so I can't show you.  I do remember the cost though: I had 3 lipsticks in my cart for $66 and shipping was $184.  I have no idea why shipping to the U.S. from Mexico is so steep.  I order from sellers all over the world and have never seen anything like this!  But I simply can't justify more than double the price of the lipsticks themselves.  It's not the total amount that's an issue - I've spent $200-$300 in one go before - but it's a waste to pay that much for shipping alone.  It's very sad for me and a little for the company, as they could have gained quite a loyal customer.  If shipping wasn't ridiculous I'd probably snatch up every collection in full.  As a last-ditch effort, I repeatedly called the one salon in the U.S. that carries Pai Pai and never had anyone pick up, and also DM'ed them on Instagram with no reply.  Hmmph.  Unless Pai Pai comes to their senses and reduces their shipping to a reasonably affordable price, or starts carrying the line in more locations within the U.S., I'm afraid I won't be acquiring any for the Museum.  :(

I don't want to leave on a negative note, as it's both Friday and Cinco de Mayo, so I will say that I think Cu's interpretation of Kahlo is both more inspired and uplifting than Republic Nails.  The illustrations are lighter and speak to the less tortured side of the artist - the objects chosen by Cu were ones that I imagine brought Kahlo happiness, fleeting though it was.  The idea of telling her story through her personal items and other things that had meaning for her, especially when combined with the emphasis on her fashion sense, is a unique way to represent Kahlo.  By consciously choosing not to focus solely on Kahlo's art, Cu gives us a fuller impression of her personality with these illustrations.

What do you think?  And are you doing anything for Cinco de Mayo?

 

1Normally with these sorts of collabs I'd show more of the artist's work but I think these lipsticks really encapsulate Cu's style...plus I had no idea how to work it in with all of the Kahlo stuff!

2The full quote is as follows: “Por mi antecedente en el campo de la moda, me interesé en Frida Kahlo no solo por su trabajo como artista, sino por la personalidad que lograba capturar en su vestuario, y su estilo icónico...Quería darle una perspectiva distinta y no necesariamente enfocarme en su arte. Principalmente, tomé inspiración de las fotografías que Ishiuchi Miyako tomó de los objetos de Frida Kahlo, y a la par retomé también ciertas figuras icónicas en su obra (la sandía, los monos, la frase "viva la vida") todo para crear este pequeño universo que la construye como personaje. Los colores por supuesto, tenían que representar esa alegría en su vestuario.”

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Curator's Corner, 5/2/2017

CC logoA Curator's Corner on a Tuesday?  Sure, why not.  I'm usually late with this feature anyway and end up backdating it, but this weekend was terrible - I'll spare you my whining but suffice it to say that Museum headquarters may have to move soon - so I'm posting this link roundup even later. I hope you enjoy regardless of its tardiness. :)

- Here's a really interesting piece on makeup hoarding and addiction that identified the difference between a hobby and compulsive buying.  I maintain that while I own much more makeup than the average person, I'm not a hoarder since I keep an inventory, regularly clean out my stash and genuinely enjoy everything I buy.  Right?  Right. #denial

- Racked also had an article on Republic Nail's Frida Kahlo polishes.  I was so pleased to see a shout-out to the Museum's post on the topic, but still kinda wished they had interviewed me since, well really, who has more expertise discussing the intersection of makeup and art?  Oh well.

- As you know I can't get enough of flash-in-the-pan fads.  In the past 2 weeks barbed wire brows have replaced feather brows, geode nails are the new geode highlights, lips take on a marbled look, and for some reason butt glitter has migrated upwards to boob glitter.

- Meanwhile, the unicorn frappuccino mania has spilled over into the beauty sphere, with nails and hair inspired by the limited edition Starbucks drink.  The drink may be gone now but the unicorn beauty craze is still going strong - even guys are getting their unicorn magic on.

- Speaking of guys, just when we thought we had reached peak crazy makeup applicator, one girl put part of her boyfriend's nether regions to cosmetic use.  (Link NSFW, obviously).  It's stunts like these that make me appreciate beauty tutorial parodies all the more.

- Happy (belated) 420.

The random:

- In '90s nostalgia, I greatly enjoyed the oral histories of both Romy and Michele's High School Reunion and Austin Powers, along with this write-up of one of my favorite Yo La Tengo albums.  All three turned 20.  In related news, I. Am. So. Old.

- I love me some bubbly, but bubbly with glitter is even better.

- More beverage fun: I was initially kind of annoyed about the aforementioned unicorn frappuccino since there was no mermaid frap, but there is!  I really really want one, especially since it sounds like it would be way yummier than the unicorn one (it apparently tasted like Sweet Tarts so I definitely wouldn't have liked it) but I hate the thought of annoying the crap out of the barista

What's been catching your eye?

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